Modern Art And The Death Of A Culture

Rookmaker uses words like existentialism, nihilism, anarchy, irrationality, and anti-art to describe a lot of what we call Modern Art. He has good reasons for saying this as he gives a great overview of art from medieval times, the Renaissance, the Enlightenment to now. The art started going downhill, in his view, from about the time of the Impressionists, when art became "non-thematic" or "art for art's sake". He sees Post-Impressionist Cezanne as the father of Modern Art who fostered movements such as cubism, abstract, expressionism, and fauvism; Picasso then picked up the artistic baton from him and greatly influenced the rest of 20th century art. I liked the author's overview of art probably the best, followed by his philosophical take on what each phase means. It's an interesting debate as to the value of art for art's sake, which I personally like, even if it does give equal value to everything in a given painting and 'does not say anything'. I also still admire the clever imagination of the modern artists, while shuddering a little more at what they are trying to express after reading this book. If you like art, and want a Christian take on what's really going on, you should read this book. But if you're like me, you'll still decide for yourself what you like and don't like about Modern Art, even if you don't agree with the world view. Besides, isn't it important for Christians to understand what the world stands for?

Modern Art and the Death of a Culture by Rookmaaker This is one of the most powerful books I've ever read. I heard a lecture by Rookmaaker in Amsterdam in 1972. I thought a lecture on art would bore me to death. Instead I was on the edge of my seat even after an all night plane ride. The book shows through art how our culture has moved away from the concept of a transcendent God since the 1300s. It is an exciting read because it takes the words of the artists themselves right up the the 1970s to explain their art and their spiritual beliefs. It is very hard to put this book down even for someone like me who is not all that excited about art. It is ominous in its predictions of what impact this has on our present culture. You can get it used [...]. I value it so much I don't even loan my copy out.

One of the joys of fathering a bunch of boys is taking them fishing. My oldest is only eight, so as of yet we have not had a lot of success actually catching fish! Nontheless, there is a lot of joy in teaching them about bobbers, hooks, bait, casting the line, etc. - there is truly an art and a science to the task. One of the difficulties that little hands have is pulling all the information together and using it properly. Just as little children need a good teacher to help them integrate a lot of facts, so do we often find ourselves in the same condition. In writing Modern Art and the Death of a Culture, the late Hans Rookmaaker comes alongside us to explain how a lot of different topics intersect and interact with each other. Art, aesthetics, culture, theology, philosophy world history - these various areas are laid out on the table for discussion, and then integrated together to make a strong point. Rookmaaker, a lifelong friend of Francis Schaeffer, provides us with a biblical perspective on the modern world, focusing specifically on the philosophical agenda behind modern art. Beginning his overview with the dawn of the Renaissance and Reformation, Rookmaaker quickly covers a lot of historical ground in the journey toward the modern era. In the end, he reveals the roots of modernity's despair. The autonomous reason of mankind put God outside of the box of the world, and as a result began the slow descent into subjective meaninglessness. Don't let the topic of the book scare you. Even while addressing heavy themes, Rookmaaker writes with great skill and passion. He is not trying to impress you with ivory tower gibberish and a specialized insider's vocabulary. Although he knows his material exceedingly well, his aim is to edify Christians. He wants to teach you how to pull a lot of cultural data together in order that you understand the times in which you live. If you have ever been puzzled at the message, or lack thereof, of modern art, Rookmaaker will help you understand and discern what you are seeing. I highly recommend this work, and wish that many more works like this will be written that help Christians to understand the worlds of high culture, popular art, and music. Note: This 1994 Crossway edition is actually a reprint of this classic work originally written in 1970, about seven years before the author's death.

Christians weren't and aren't necessarily "right" when it comes to art. Often uninformed and bias, Christians tend to pigeon-hole art, making it have no place in the lives of humanity. This book takes a look at art through a historical and biblical viewing glass. Rookmaaker does not just say "sin is the problem" and leave it at that (though he speaks plenty on the root of the problem which is sin). Rather he looks to history, the artist's intentions of a particular "movement", and both Christian and secular mentalities that pervaded the times. Rookmaaker ends the book splendidly, answering questions that are left in the Christian's mind (concerning faith, morals and art, good and bad art, beauty, aesthetics, what is art, and more), calling Christians to take courage, and finally charging Christians with the responsibility to go out and make good art.

Dr. Rookmaaker was the Professor of the History of Art at the Free University of Amsterdam. This book is his very interesting analysis of art and how it reflects the culture. Rookmaaker was of the opinion that artists were like canaries in a mine. They were (are) the early warning system. They show clearly where a society is headed. They are not (as many cultural conservatives falsely believe) the cause of societies problems, rather they are the earliest indicators of those problems. This book (first published in 1970) is more timely than ever. It (and Dr. Rookmaaker) were a huge influence on Dr. Francis Schaeffer (The entire "line of despair" idea in "The God Who is There" comes from Rookmaaker). I highly recommend this book.