Miss Marjoribanks

I have done extensive research on Margaret Oliphant. She is one of the most productive women writers of her time and yet, often is overlooked. I urge anyone to read her work and self-titled biography.

What a great find, and refreshing as it lacks much of the high melodrama so common in most 19th century literature. Miss Lucilla Marjoribanks comes home from school determined to be a comfort to dear papa and sets the good doctor and the entire town on their ears, with her brilliant manipulations. The characters are wonderful, the story has lots of ups and downs that Lucilla is always capable of meeting with great ingenuity and fortitude. There are many wonderful moments and lots of laughter along with a few tears. Higly recommended, particularly for anyone who enjoys 19th century English literature.

This must be one of the funniest books I've ever read--I hadn't laughed out loud like this since Catch-22. The character of Miss Marjoribanks (that's pronounced "Marchbanks") is used by Oliphant both as a vehicle for social satire in the Victorian community and as an instrument to examine female modes of power in the Victorian home. The scene in which Miss Marjoribanks figuratively usurps her father's role as patriarch of the house by appropriating his place at the breakfast table is hilarious. Oliphant's book is wonderfully enjoyable and furtively serious--it may be light in tone, but it reveals a great deal about how a resourceful Victorian woman might seek modes and expressions of power within parameters that are very limiting.The main character of Miss Marjoribanks is not intended to "grow" or "develop"--part of the pleasure of her characterization and her story is in witnessing how her single-minded mania as social director of her community compells her to overcome the obstacles thrown in her way by the novel's narrative. Why should we arbitrarily expose this book to aesthetic standards created by a handful of canonical novels? Miss Marjoribanks's characterization is as valid as any found in Austen or Trollope (though not necessarily as great as the best of them)--we must keep in mind that there was much more to Victorian fiction than what is revealed in the small quantity of canonized examples still read today. Oliphant was immensely popular in her day, she was Queen Victoria's favorite writer, and there were many contemporary critics who considered her to be one of the best novelists of that period.In short, Oliphant's Miss Marjoribanks is a comic masterpiece, and I wholeheartedly recommend it to any reader of 19th-century British fiction.

I enjoyed this book much more than I expected. I came to love the character of Miss Lucilla Marjoribanks. She's a little over the top, and Oliphant has fun with Lucilla's extensive charm and "strength of mind". I found myself laughing as Lucilla shaped society in her town. The book is a fun and easy read...definitely recommended.

If you were to cross Jane Austen's Emma Woodhouse with E. F. Benson's Lucia, the result (psychologically as well as chronologically) would be Margaret Oliphant's triumphant queen of Carlingford society, Lucilla Marjoribanks. Determined to show everyone an entertaining time (ostensibly "to be a comfort to dear Papa," even though her father tends to withdraw entirely from her noisy gatherings), the self-centered but always ingenious Lucilla engineers social triumph after social triumph in this very amusing mid-Victorian novel. There were many moments when I laughed out loud, or was genuinely surprised by Lucilla's cleverness in overcoming momentary catastrophes. This is the perfect book for anyone who has loved Austen, Trollope, or Elzabeth Gaskell's WIVES AND DAUGHTERS.