Middlemarch (Wordsworth Classics)

That is high praise, I know, but I couldn't think of any better superlatives. George Eliot writes with such keen insight into such diverse lives, it staggers the imagination. Virginia Woolfe wrote that Eliot was one of the few nineteenth century authors who wrote for grown up people, and I couldn't agree more. She never insults her readers by telling them what their opinion should be of any of her characters. They are all intricately drawn with an even hand, good traits and bad. Just when you think you've found a character that it is impossible to sympathize with, Eliot debunks your opinion in a single poignant paragraph. I read and loved this book in college, and I've read it every two or three years since. It never wears thin. Anyone who wants to know how perfectly seamless a novel can be must read this masterpiece.

The author is a mindreader. The book is readable and funny and the descriptions and dialogue and ideas are great. It has all kinds of stories in it, and many different people. I read somewhere that Eliot was "large in spirit", meaning she was forgiving of the worst of us.

George Eliot, (nom de plume of Mary Ann Evans), wrote a literary masterpiece with "Middlemarch." I was forced to read this in school at an age when term papers and grades meant more than absorbing the riches this novel contains. I recently gave it another shot, lured back into 19th century English lit. by easier reads, like Jane Austen, whose work I love, and the Brontes. But I don't want to compare apples and oranges. Let it suffice to say, I got back to "Middlemarch" 30 years later. And it was/is so worth the re-read!Ms. Eliot created, with this book, an entire community in England in the mid-1800s and called it Middlemarch. She populated this provincial town with people of every station, local squires and their families, tradespeople, the rising middle class, (Middlemarch, right?), & the poor and destitute, ruthless and honest. She crowded them together, with all their ambitions, dreams and foibles, in this magnificent literary soap opera, and wove a wonderful web of plots and subplots. Ms. Eliot also wrote scathing social commentary and used great wit.The fortunes of Middlemarch are rising in this new era when machines and trains - fast, available transportation - are changing the world, the economy, the politics. Rigid social codes, the British class system, is in danger of being breached. Folks are out to make a quick buck, or a shilling - anything to acquire wealth and enhance social position.Dorothea Brooks lives in Middlemarch. She is an intelligent, sensitive young woman, who wants to dedicate her life to important endeavors. She does not want to settle for a typical marriage and family, but looks toward a more noble cause. As a woman, a professional life is not open to her, nor is the pursuit of intellect, outside of marriage. She weds the elderly Rev. Casaubon, a cold, narcissistic man, thinking that by assisting him with his scholarly research and writing, she will find happiness.Dr. Lydgate comes to Middlemarch to begin his medical practice there. He is an idealist, who has dreams of finding a cure for cholera and opening a free clinic. He meets blonde and beautiful Rosamund Vincie, who fancies him for a spouse...along with a new house, new furniture, an extensive wardrobe, etc.A dashing, romantic Will Ladislaw, nephew of Rev. Casaubon, enters the story, as does Rosie's brother Fred, who wants desperately to marry his Mary, but is out of work and in debt. This cast of richly drawn characters continues to grow with the introduction of Mary's family, the Garths, the banker Bulstrode, friends, relations, and an evil villain or two.This complex novel and portrait of the times, is one of the best reading experiences I have had in a long while. And it didn't hurt at all! :))