Mendelssohn: A Life in Music

I bought the hardback edition which is/was a lot more expensive - wish I had waited! Actually, it matters not a jot; this book is great value, regardless of cost. It took me three readings to absorb most of the contents; for this biography is densely written, full of fact and detail and without much prose for its own sake. Nevertheless, it is eminently readable with a flowing narrative style and in no sense is it heavy going. That it took me three readings is a (non)function of my failing intellect rather than a comment upon the authorship. Regardless of the serious nature of the subject, this book really is a "good read" in its own right. One of this work's many strengths is that Todd paints with a very broad brush. His view encompasses the social history necessary to see the Mendelssohns against the background of their particular time and the author does a superlative job in portraying their circumstances in a largely anti-Semitic Germany. However, the focus always remains on this extraordinary musician with a creative life lived on so many levels and embracing so many artistic and intellectual pursuits. Felix Mendelssohn emerges as a rounded, developed figure and not the slightly colourless aesthete which a distorted history sometimes has chosen to portray him. This is a scholarly, well-edited and proof-read volume; the only mistake I noticed was Wellington at Blenheim. (I'm not an American so might just as easily have put Washington at Bull Run . . !) However, from a purely personal standpoint, I should like to have had a little more information on the organ recitals given in England. Several references are made to his having performed Bach works which he so enthusiastically championed but very few English instruments (C or G compass) of the period had a pedal division enabling them to accomplish this. In short, a totally absorbing account of the life of a fascinating member of a particularly gifted family. I thoroughly recommend it.

Felix Mendelssohn lived only thirty-eight years (Feb 1809- Nov 1847) and yet he had a profound impact on the way Art Music continues to be enjoyed in our time even if he is himself unjustly too far from the public consciousness and his musical works not, while not unperformed, are not performed nearly enough considering their musical quality and artistic merit. He was a man of prodigious genius, manifold talents, and a genuinely gracious and generous man. All rare gifts in this world. This excellent and much needed modern biography of this most important musician was written by R. Larry Todd. The author gave the book a perfect subtitle - "A Life in Music" because Mendelssohn's whole life, since his early accomplishments as a prodigy, was devoted to composing, performing, conducting, and championing past composers such as Bach and newer young composers and performers who shared his views on the musical arts. The book makes very enjoyable reading because of the way Todd intertwines the life and the music that came out of it. Mendelssohn, like some but more than many composers, wrote and modified pieces for specific occasions and for certain performers. I found the numerous musical examples to be well chosen and illuminating. However, if you cannot read music, you can still understand what they author is saying form his clear and to the point prose. Felix's grandfather was the famous philosopher Moses Mendelssohn and his father, Abraham, was a prominent banker so Felix and extremely talented sister Fanny did not have to struggle to develop their talents. Abraham converted to Christianity and his children were raised with a Christian faith. Felix's Protestant faith was clear in his music to the day he died even though that aspect of his life is downplayed too much nowadays. Both Fanny and Felix were brilliant piano virtuosos and Felix was also a virtuoso on the organ and violin. They both composed well, but more emphasis was placed on Felix because he was the male and, from available evidence, the greater genius. It was natural to compare Felix to Mozart, as young prodigies are too this day. In Felix's case it was a warranted comparison, even if his art was not as transcendent as Mozart's. Felix was a brilliant improviser. While every well trained keyboardist (especially organists) were expected to be able to improvise any number of pieces and styles upon provided material, or on material they made up, the kind of ability that Mendelssohn had in this area was beyond brilliant. He was not only capable of solving canons on the fly or harmonizing and making variations on a chorale, he could also turn the subject into a fugue, a double fugue, and more. Then there is also his memory. There was a concert series where he was repeating a Schubert trio that he had performed a month earlier. However, the music for the piece was only on the stands for the string players. No problem, Mendelssohn played the piano part from memory. Howev

As a Mendelssohn specialist I pre-ordered this book, and have been working my way through it for the past few weeks. I cannot recommend it highly enough to anyone who is interested in this remarkable composer and his music. It has many points to commend it for scholars(extensive recourse to important but obscure archival documents, correction of major and minor factual errors that have persisted in all the previous Mendelssohn biographies, etc.), and just as much to commend it to general readerships: it's elegantly written, well balanced, informative on contextual, musical, and biographical fronts, etc. Fanny is arguably as present in the pages of this book as she was in Mendelssohn's life. And, not least of all, it's remarkably affordable. I am a former student of Professor Todd (having gotten my Ph.D. from Duke University in 1994), but can also say that I offer these remarks without any bias other than that of being one who admires the music and life of Mendelssohn. If this reads like an endorsement, it is. I highly recommend thevolume to all who want to know more about Felix Mendelssohn Bartholdy.