In fascinating new contextual readings of four of Herman Melville's novels--Typee, White-Jacket, Moby-Dick, and Pierre--Samuel Otter delves into Melville's exorbitant prose to show how he anatomizes ideology, making it palpable and strange. Otter portrays Melville as deeply concerned with issues of race, the body, gender, sentiment, and national identity. He articulates a range of contemporary texts (narratives of travelers, seamen,...