Mary Barton

A tale of Manchester working life set in the 1830s, Mary Barton begins as bucolically as any gritty urban novel can. The Bartons, who are expecting an addition to the family, meet the Wilsons, who are carrying their infant twins, at Green Heys Fields. The charm of these low, flat, treeless tracts lies in their rural contrast to "the busy, bustling manufacturing town [he] left but half an hour ago." The couples adjourn to the Barton home for tea, where Gaskell lovingly describes every modest luxury such working folk can manage--the bright green japanned tea tray with its scarlet lovers, the cupboard of crockery and glass of which Mrs. Barton is so proud, and the hodgepodge of furniture ("sure sign of good times among the mills"). In honor of their guests, the Bartons send young Mary out for fresh eggs ("one a-piece, that will be five pence"), milk, bread, and Cumberland ham. Thus Mary Barton commences with a self-conscious air of cautious prosperity, but underneath the pleasure of the occasion are hints of despair to come--Mrs. Barton's distress over the disappearance of her sister, and the Wilsons' "little, feeble twins, inheriting the frail appearance of their mother." In chapters I and II, Gaskell sets up the end of abundance and joy for the Bartons and the beginning of misery for their entire class in the mill city of Manchester. Mary Barton is a novel of contrasts. While the Bartons take homely pride in their furniture and wares, the Carsons live in a "good house . . . furnished with disregard to expense . . . [with] much taste shown, and many articles chosen for their beauty and elegance. As Carson's former employee, Ben Davenport, lies dying in a filthy basement in the company of his wife and children, who are "too young to work, but not too young to be cold and hungry," Carson's youngest daughter Amy tells her brother and father that she "can't live without flowers and scents" and that "life was not worth having without flowers." They can't live without food and shelter, and she thinks she can't live without luxuries. Perhaps the most terrible contrast is between the "listless, sleepy" Carson sisters and the tragedy that interrupts their idle chatter. The contrast and conflict between the rich and the poor, the men and the masters, is not conventionally based on envy or even class; Carson was once no better and no richer than anyone else. The men don't aspire to wealth, at least for now. They want to feed their families and perhaps to enjoy the simple comforts the Bartons once shared with the Wilsons. What keeps masters and men apart is not class or money, but a more fundamental unwillingness to acknowledge the other's humanity. Mr. Carson can't be bothered to recall who Ben Davenport is, other than one of the many faceless men who worked for him for many years, or to give Wilson more than a useless outpatient order. Instead of approaching the masters, the men, who are powerless as individuals, join groups and send delegates like John B

We live in a word where poverty is no longer something we see everyday. Many of us live cushy lives where we hear about people living on the streets, and don't think twice about them. This book brings home the horrors of mass poverty, and the cruelty and neglect of those who live in comparative comfort off the labor of those who suffer. We are more and more seeing these times coming back to life here in America as well as many other places. Class distinctions are once again increasing. We live in a world where people describe real life events as being "just like the movies" when shouldn't it be the other way around? Do any of us truly see what our neighbor suffers, and take the time to do something about it? This book serves as a warning to us on how to care for our neighbor, and love one another, live according to a moral code without rashly judging others for what they must do. It is a lesson as valuable today as it was then. Hard to put down, gripping narrative. Truly a heart wrenching read!

I am a 19th century period drama avid reader and addict. This summer I read every single one of Ms. Gaskell's novels and just love the history she writes in all her novels. In college, I wasn't able to appreciate her writing because I read in a flash, did a review and got my grade. But here I am, years later, reading her novels again and with so much pleasure. Recommend all of Ms. Gaskell's novels if your an period drama reader; then read Jane Austin, Wilkie Collins, George Elliot, Bronte sisters, Charles Dickens, etc.

Actually I read this book in three days' time (it can be even faster if I don't have to go to school). Anyway, Mrs. Gaskell's depiction of the working class people in Manchester during the 19th century was so vivid that you can just *see* and *feel* how the rich and the poor's lives were like back then by turning the pages. I believe no one who had read this book will not to some extent feel pity for the tragic hero, John Barton, in the story. But aside from this formal social theme being presented in the novel, there is also a very strong sense of religious/moral theme in it (espeically near the end of the story), as well as some drama and romance in it. Definitely worth a read, especially to those who are interested in Victorian Literature.

This is possibly the most devastating, yet uplifting novels I've ever read. The book explores the lives of the working class poor in Manchester, England, during the 1840s, a period of strife and hunger. The pretty, young, naive Mary Barton persues a romance with handsome, dashing Harry Carson, son the mill owner, while spurning the attentions of her childhood friend, Jem Wilson, who loves her passionately. Mary's intentions, however, are less than noble; while certainly attracted to Harry, she wishes to improve the lot of herself and her father, John, who, disconsolate over the loss of his wife and only son and the attendant poverty after the loss of his job, has slipped into a daze of opium and seeks vengeance against the Carsons for putting him into this position. This eventually leads to tragedy and redemption. Gaskell writes as if her life depended on it; she describes the horrible conditions of the Manchester poor with searing vision, and makes the influence of radicalism completely understandable, even if she doesn't always agree with it. The delineation of character is quite remarkable; one's heart beats faster as Mary realises who it is she really loves and particularly when she is forced to protect, against incredible odds, both of the men that truly love her. Admittedly, the second half of the book, detailing the murder and subsequent trial, is quite melodramatic, but it's grippingly told. A magnificent work that should be required reading.