Man-Kzin Wars XI

This was one of those books that got read a couple of times in succession. The book covers a small time on wonderland, where the Man Kzin war is over with, and how both humanity and Kzin try to live together on what was once a battlefield. The central character is a Kzin, who is being trained and groomed to help run the Kzin survivors on the planet so that they can learn to co-exist with humans, rather than how it had been in the past, where the Kzin were the masters. The book takes place over an unspecified period of time with flashbacks to war time wonderland and post war wonderland, we also get to have a great story towards the end with a protector and how that also influenced a later man Kzin war. Overall, the stories are rich and rewarding to read, with a lot of detail to pick up (making rereading a must to pick up the nuances). There are interesting viewpoints and commentary on how to integrate a planet after a major war. There is a great balance in the stories, and how all the stories work well together. The protector story is by far the longest and the most in-depth of all the stories to read. Probably the most entertaining is the second one, Grossgeister Swamp, as it also looks at one of the other races the Kzin have taken into service and as lunch. Overall this is a 5 of 5 book, with a needed reread to pick up on some of the story that is very deep in how it is presented.

Larry Niven's Man-Kzin characters are brought to renewed life in Hal Colebatch, Matthew Harrington and Larry Niven's MAN-KZIN WARS XI, a collection of stories which includes a new story by Niven and others expanding the Man-Kzin Wars series. Here a secret agenda affects a safari even as a woman lands on a plague world only to find something even more dangerous than plague. Familiarity with Niven's Man-Kzin series lends a special appreciation to this book.

I enjoyed all these stories enormously. Hal Colebatch, who wrote the first three stories which take up most of the book, is a fine writer. His plots are becomoing more complex and surprising. He handles the sexual tension between Dimity and Vaemar in "Catspaw" beautifully (I think I am falling in love with Dimity, especially since he appearances in "One War for Wunderland@" and "Music box" in Man-Kzin X. She is a great character, but so are Colebatch's other characters, human and Kzin. One really warms to the old Kzin Raargh, and feels for the young "Strtaight Arrow" Vaemar, with a fight between his conflicting heritages going on inside him. Plenty of action, jokes, and some splendid descriptive writing to convey xonvincingly the feel of another world - some of "Grossgeister Swamp" is like as dream. Matthew Harrington's stories are also extremely well done, mind-stretching and full of surprises. The science in them seems good, too. Larry Niven's own story is punchy and effective and leaves uyou feeling proud of the human race. Six great stories!

I've read the whole series, and I finally had to interrupt my schedule to comment. It keeps getting better. The stories appear to be in chronological order. Colebatch is back with another handful of gems. He continues his habit of making the buildup so riveting that you almost overlook the enormous depth of context development: though the stress of a culture involving intelligent species trying to get along after decades of merciless war is seldom mentioned, it is a constant presence and influence, like nitrogen in the air. His plots are also becoming more surprising, which since his first story in the series was The Colonel's Tiger in volume VII is no small accomplishment. Three At Table in particular made me catch my breath. Grossgeister Swamp addresses the effects of war on its true victims. Catspaws deals with a nightmare vision in a tone of great practicality. I can't find any previous work by Harrington. I intend to look for more. The amount of detail he puts into a short story is more than is found in many a novel, and he resolves a good many of Known Space's loose ends in the course of developing the character of Peace Corben. (He seems to be a longtime SF fan: the reference to "Cornelius Industries of We Made It" is clearly a bow to Michael Moorcock.) The title Teacher's Pet is an awful pun, and War and Peace is almost as severe; but they're the perfect titles for the stories. The tales answer the question I saw on a convention poster: "How many kzinti does it take to beat one human protector?" "There aren't that many kzinti." The Hunting Park struck me as primarily a vivid demonstration of how the kzinti had been changed by the Wars. Kzinti honor is as strong as ever, but its focus has shifted and sharpened, and that's all I'll say as I dislike unsolicited spoilers. I'd been under the impression this series was meant to end at ten volumes. I'm glad it didn't. I'm looking forward to the next. EDIT EDIT EDIT One of the things I have always admired about this series is the conspicuous absence of the media attitude. Battles occur to achieve a purpose, not to provide photo opportunities. As Sun Tzu said, "Supreme excellence in generalship is to make the enemy surrender without fighting." Appreciating this perspective does require thought, however, and I would not recommend these books to anyone who finds that a burden.

More terriffic stories in the Man-Kzin series, the best-written shared universe in literature. Hal Colebatch writes the first three stories, which take up most of the book. The first, "Three at Table" is a stunner, a tale of deepening miasmic darkness, depression and horror that suddenly, in the last few words, turns into something utterly different. I did not know short-story craftsmanship still existed that could pull off this kind of emotional rocket-burst. I cried at the end, but not from sadness. Grossgeister Swamp, the second story, is the tale of a young Kzin noble charged with caring for the lives of a party of Kzin and human students after the human liberation of Wunderland as they explore mysterious Grossgeister Swamp and the decaying hulk of a delelict Kzin battleship. The delicate human-Kzin relationship, seen here mostly from the Kzin's point of view, is beautifully done, with quite a few touiches of humor, as when the somewhat pedantic young Kzin remarks to a human companion: "You must realise that for cats our space-faring has an incongrously nautical vocabulary." The story is tense, with elements of tragedy, but a thoroughly satisfactory ending. "Catspaws," Colebatch's third story here, is a novel of about 50,000 words, featuring characters from the first two stories and building on them (these characters also appear in his stories in M-KW IX and X, including Raargh, the tough but appealing old Kzin ex-Sergeant, Dimity Carmody, the beautiful super-genius, and the tragic Leonie Rykermann). Plenty of both action, including some gruesome battles, and believeable and generally likeble characters. It continues the overarching theme of Colebatch's previous nine stories - the slow realisation that humans and Kzin have something to teach each other and over centuries, punctuated by bloody wars, gradually learn to co-exist. There is a moral journey as well as an adventure story and a tale of character interaction from this very considerable writer. Matthew Joseph Harrington's two stories are written in a very different style but balance Colebatch's nicely. Very science-oriented, Harrington pulls off one of the most difficult feats in SF - making a super-super-genius, the female Protector Peace, believeable in a sustained and convincing way. Harrington's compressed style contains plenty of surprise packages. Hard to say much more as I don't want to commit spoilers, but Harrington is impressive indeed and a worthy new addition to this distinguished writing team. Like Niven, he can write about BIG ideas convincingly and like the other authors remains true to Niven's "Known space" parameters. As far as I know Harrington has not published anything previously and this is a teriffic debut. The last story, by series creator Larry Niven, tells of a hunting party of Kzin in Africa - how do the great felinoids shape up against lions and elephants? And what are they really after? This is a long book, but I read it in a single fascinated sitting