The Man from Barbarossa

In this action and intrigue packed adventure Bond works with a Mossad officer, K.G.B. officers, and a sexy French D.G.S.E officer to stop a Communist hardliner from taking power in Moscow and helping Iraq during the Gulf War just before coalition forces are about to move on Iraq.

Amazing! THE MAN FROM BARBAROSSA is full of wild action-packed stunts and action. James Bond is forced to fight against a secret group called The Scales of Justice who want to control Russia and wish to film an legal trial of a spy. If you're searching for thrills, this is the book for you. It is fulled of action, and the besat part is when James Bond fights the men in the house. Disagree with the one and two stars and go for the five, You will be happy with results if you read John Gardner's best. Others best include the action-fulled ICEBREAKER, NO DWEALKS MR BOND and COLD FALL and BROKEN CLAWS.

Following the very disappointing BROKENCLAW, here Gardner gives us a different Bond story--one with very little action, lots of plot, and yet, a real page turner. This is certainly one of the most political Bond stories, and it is concerned with issues in the headlines at the moment (or from 1991), namely the Gulf War and also the shaky state of the former Soviet Union. The story concerns a free-lance terrorist group--The Scales of Justice--demanding the trial of a former Nazi SS officer largely responsible for a massacre of Russian Jews in Barbarossa during WWII. They claim to have the real man, but meanwhile the French Secret Service have captured another man whom they believe is the criminal. An agent of Mossad--the Israeli Secret Service, a Russian KGB official, James Bond, the French Secret Service, and various other spies all engage in a plot to unravel The Scales of Justice. What they uncover is an ambitious Russian general with plans to sabotage the crisis in the Gulf War by sending a nuclear strike among other things to the United States. There is a lot of plot and very little action--pretty much all in the next to last chapter or so. And yet it is very carefully laid out by Gardner, who doesn't give us an unbelievable love story nor a completely ridiculous ending as he did in the preceding clinker BROKENCLAW. In BARBAROSSA Bond finds himself confused about his role in the mission, and he also finds that a number of the people around him are not who they seem. One of the best elements is the way Gardner weaves an exciting tale involving elements from real-life modern stories and situations in the world--the Gulf crisis and impending war, the state of post-Communist Russia and quests for power. There are a number of intriguing characters and some great scenes, such as M receiving the news that 007 has been killed. Bond is not the central figure all of the time--he finds himself neck-deep in a complicated web of intrigue. The writing is certianly an improvement over BROKENCLAW, as! is Bond's relationships with the opposite sex here. Some may be disappointed by the greater presence of story and by the fact that action takes a backseat, but give BARBAROSSA a chance indeed. It is very well written, tightly plotted, and frankly very exciting. Do not disparage the name Gardner when it comes to Bond. Although this is more of a solid thriller and less of your typical BOND story, it is a welcome addition to the canon.