Annabel and Lee are married; Lee and Buzz are brothers. A quirky threesome, they have set up a household on the fringes on university life in the late sixties. Their hermetic existence is filled with drugs, sex, alchohol, intensity, and madness; their relationships with one another are haunting and complex.
Carter's compelling tale carries echoes of Poe and Bronte into the very modern world of artists' flats, psychiatrists' offices, and generational conflicts. It is ultimately a tale of the search for loyalty and love in the midst of emotional starvation.
This is one of Angela Carter's earlier works and though it is not as adept nor as well-written as her other novels, it is still a work of beauty and well worth reading. It is the story of a menage a trois. Three freaks in the 1960's are entangled in a relationship that is mutually destructive for all of them. The triangle includes a husband, his suicidal wife, and his very bizarre brother. Carter writes a modern-day post-script...
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It's hard to pidgeonhole Angela Carter's "Love" into a specific genre. It has all the elements of a melodrama - love, sex, madness, violence, even a hint of incest - but the entity created by the talented Carter isn't remotely the cheap and tawdry sexploitation feast you might expect from such seemingly unpromising material. If I had to categorise this slyly mythical tale of a deadly love triangle between/among two half brothers,...
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Gorgeously painful to read, impossible to forget, and inexplicably unknown, "Love" is about a crazy trust fund girl who wrecks on the shores of Bohemia, about two brothers trying to emerge from the shadow of their fundamentalist Mairxist childhood, about the inevitable punishments of heterosexuality, and since this is Carter, about the intimate connections between madness, memory, fiction, and the lies we tell ourselves to...
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