Look to Windward

Iain Banks was born in Scotland in 1954 and published his first book - "The Wasp Factory" - in 1984. He has since divided his writing career between writing 'standard' fiction - as Iain Banks - and Science Fiction, as Iain M. Banks. "Look to Windward" was first published in 2000, and was the sixth of his Sci-Fi books to feature the Culture. The Culture is a symbiotic society - part humanoid and part artificial intelligence. The artificial intelligence element to the Culture can be sub-divided into two parts - Drones and Minds. For the most part, a Drone's intelligence will be roughly similar to a humanoids. Minds, on the other hand, are significantly more powerful than both humanoids and drones. They tend to act as the controlling intelligence behind, for example, the Culture's ships and Hubs (artificial habitats). Minds are also largely responsible for making decisions at the very highest levels of society - only a very small number of humanoid Referrers would be intelligent enough to join the process. In the first Sci-Fi book Banks wrote, "Consider Phlebas", the Culture was at war with the Idiran Empire - a war they eventually won, though not without a great loss of life. Although 800 years have now passed, "Look to Windward" could be considered a sequel of sorts. A single battle, towards the end of the Culture - Idiran War, had brought the destruction of two stars. The loss of life was not restricted to the combatants, as both systems had supported life. The light from the first star's destruction has only now reached Masaq, a Culture Orbital. Hub, Masaq's controlling Mind, is observing a period of mourning, between the two supernovae - for reasons that become clear later in the book. However, there have also been hints of a very special occasion to mark the arrival of the light from the second star. Not all of Masaq's residents are Culture citizens, however. One is Kabe Ischloer, a Homomdan who is accorded the title of Ambassador by those on Masaq. (Kabe is a modest, likeable character and occasionally admits to being a journalist). Physically, Homomdans are similar to the Idirans - three-legged, about three metres tall and glisteningly black. In fact, the Homomdans were allied to the Idirans in the early days of the Culture - Idiran war. Another is Mahrai Ziller, a very famous Chelgrian composer. (Chelgrians are nearly as tall as Homomdans, fast, strong and fur-covered. Having evolved from predators, they also seem to enjoy a fight). Ziller, however, is somewhat atypical for a Chelgrian, and his presence on Masaq is a little more controversial than Kabe's. There had recently been a civil war on Chel, known as the Caste War...and, unfortunately, there had been a certain amount of Culture involvement behind the scenes. However, Ziller found Chel society repulsive - despite belonging to the highest, most privileged caste, he has declared himself Invisible and effectively defects to Masaq. Ziller isn't the only Chelgrian to appear in the

Mysterious, subtle and thoughtful. Less of a mindless space adventure story with juvenile one dimensional space morons(i.e. Hamilton's Reality Dysfunction behemoth) than a crime fiction novel of sorts that moves with wit and finess, inexorably towards its ultimate conclusion.Quilan is a Chel. A member of a nation moving out of the shadow of a sudden and violent civil war. It's relationship with the vast Culture civilisation is ambiguous. Quilan is sent as an emissary to a Culture orbital to meet with a famous Chel exile. As we move through the book the past of the central character is slowly peeled away as both he and the reader come to understand the implications fo his terrible mission.Muhahahaha!This is one of those rare novels that reminds one of how truly satisfying it is to read, wrapped in blankets or draped across a sofa with a coffee in easy reach. The repartee between the Culture figures is almost Vancian (as in Jack Vance)in its quick indulgent interplay. There is little of Bank's (at times maligned) penchant for descriptive violence. Rather mystery blends deliciously with succulent characterization in this truly worthy addition to Bank's Culture series. I growled at times at pointless scences reading through 'Consider Phlebas'(esp the eater scene on a Caribbean-esque beach - Nice book title though!)Such superfluity has been truly expunged in this tight novel. Here I whoopped and chuckled with joy and delight as I read, locking myself in the bathroom so that I might finish it undisturbed by my family. It is perhaps Bank's finest work; Subtle in ways many people seem not to have picked up on. Ho ho.If you enjoy this then do all you can to read any of Jack Vance's works. The Demon Princes series is as good a place as any to start.

Insightful clear thought wrapped in a fantastic and surprisingly humorous package. It took me a little while to figure out why Mr. Banks dedicated the book to the Gulf War veterans. Without spoiling the book, think of the "Culture" as USA plus UK and Chel as the middle east, Afganistan, Vietnam...etc. In the end, I think the Gulf Veterans he dedicated the book to are all the people who lived and survived the war regardless of whether they were Americans, British, Iraqis or Kuwaitis.Considering the fact that the book was published in 2000 and the subsequent tragedy of September 11th, the book is almost prophetic. I believe it is critical that more people read this book. And the sooner the better.

The title of Banks' latest Culture novel comes from the 4th part of T.S. Eliot's 1922 landmark poem, "The Wasteland." The full text of lines 325-326:Gentile or jew,O you who turn the wheel and look to windward, Consider Phlebas, who was once handsome and tall as you. Those familiar with Banks' work will immediately recognize the two words immediately following "look to windward" as the title of another Banks' Culture novel. What's going on here?Not every SF author can get away with titling his books from one of the 20th century's greatest poems. A lot of them have the chutzpah, but can't bring their word craft up to their pretensions. Banks can. While _Look to Windward_ doesn't have the machine gun pacing or extraordinary violence of earlier Banks' works, it does offer remarkably good writing, generally good characterization, and a further display of Banks' astonishing imaginative powers. Masaq' Orbital and its billions of residents are seeing the supernovae from suns destroyed by the Idirans near the end of the Idiran War 800 years earlier. The Mind - the self-aware AI that runs Masaq' was a fighter in that war. Billions died, some at the hand of that Mind. More recently, Special Circumstances, The Culture's meddling, would-be uplifters of the disadvantaged, had another of their surreptitious interventions go horribly wrong, and 5 billion Chelgrians died. Look to windward, indeed. Masaq' Orbital's Mind has commissioned Ziller, an expatriate Chelgrian, to compose a symphony for the occasion of the second supernova. In the meantime, the Chelgrians have sent Major Quilan, a veteran of the civil wars triggered by The Culture, to Masaq', ostensibly to persuade Ziller to return to his home world. The real reason is more horrific: the destruction of the Mind that runs Masaq'. Major Quilan and the Chelgrians who support his have the help of mysterious benefactors, demonstrating, perhaps, that The Culture is still its own worst enemy.In Major Quilan, Banks has created his most memorable character of The Culture novels. Tormented, ambivalent, manipulated and empathetic, he stands in stark contrast to the indulgent and snobbish, if immensely talented, Ziller. By seeing two very different Chelgrians, we better understand them and the reactions of those around them.As in any Banks novel, there are surprises galore, and it is next to impossible to identify the goods guys or the bad guys. Don't expect the slam-bang excitement of _Consider Phelbas_ or the pacing of _Excession_. This is a novel of revenge. But as Eliot was at pains to point out in "The Wasteland," PHLEBAS the Phoenician, a fortnight dead,Forgot the cry of gulls, and the deep seas swellAnd the profit and loss.A current under seaPicked his bones in whispers. As he rose and fellHe passed the stages of his age and youthEntering the whirlpool.Death cares not at all for the minor victories of life. One death is no more or less than a dozen or 5 billion. Major Quilan's willingness - zeal - to die, sadl

Following the baffling (or intriguing, depending on your point of view) mediaeval shenanigans of Inversions, Iain M Banks has genuinely delivered the goods with this one, giving the Culture aficionados what they *really* wanted. "Look to Windward" is a staggeringly imaginative chunk of hard sci-fi, with some of the strongest characterization and mind-bogglingly grandiose scope since Banks' classic "Consider Phlebus". Who could not empathize with the battle-weary, bereaved Quilan whose tortured soul seeks oblivion, and yet who could not condemn him for the ghastly mission he agrees to undertake? Has absolute power begun to corrupt the Culture? Can they honestly still claim the moral high ground after their ill-judged and catastrophic intervention in the war? This novel touches on some pretty profound ethical dilemmas along the way. There is also much wise and possibly prophetic investigation into the nature of the soul, heaven and omnipotence. Please don't get the impression that this is all heavy stuff though; there is much amusing and witty dialogue between the chief protagonists. Some of Ziller's bon mots will have you in stitches. To the delight of the Culture anoraks, there is also a huge amount of information about Culture minds/hubs, personality backups, orbitals and (delightfully) a roll call of some of the more eccentric Culture ship names. How I would love to visit Masaq' Orbital; I guarantee you will too!