Long Life, Honey in the Heart: A Story of Initiation and Eloquence from the Shores of a Mayan Lake

Modern society has us born and abandonded. It does not take any interest in us unless we make lots of money or achieve some kind of fame. We have little purpose in it except to make money for others and that is pretty much the extent of it: nothing else is demanded of us. Martin Prechtel's book describes a society where giving is more important than receiving, working together for a common cause of spiritual value rather than material value, opposed on both sides by the materialist communists and capitalists, neither of whom can see any value in their old ways of initiation. Yet the initition creates a person of far greater value than those who sought to destroy it. Whether or not the reader can share the beliefs of the Tzutujil Maya, and for a modern reader it is of course difficult, the result of this system of society is the creation of real human beings, lives not devoid of meaning and afloat on a sea of worthlessness, but deeply intertwined with the living processes of the world, each one feeling that they contribute to the story of life, that they have value and love. The difficult and dangerous passage of initiation that the adolescents of the village undergo to bring the goddess back to life gives them an inner power and wisdom that stays with them for the rest of their lives, meaning that they don't become disruptive, lost and alienated from the world but an integral part. It is a shame to me that our modern societies, whatever their political system, cannot operate more in this way. Not to live exactly like they used to - before the modern societies imposed themselves - but to realise what they achieved and how it can benefit our cast-adrift generations. I have given this book five stars because it offers a way out of the ever-tightening spiral of anguish that drives even the pleasures of modern life and it does so without preaching or spite. There are humourous passages throughout as well as more serious tracts. It is about the joy and beauty of life.

Prechtel's retelling of his life as a part of a society based on ancient tribal traditions. It gives a rare glimpse of mankind caring for its own. A tale of a culture striving for health and balance between neighbors, generations, mankind and nature. It is a beautiful tale of human beauty dashed by the motion of time in the hands of modern man. As sad as it is to see the outcome I find these people living within me as a reminder of what society can accomplish when it is rooted in respect, dignity and love.

Prechtel's book is incredibly beautiful, describing the life, loves and rituals of a small town in Guatemala, Santiage de Atitlan and the changes that have occurred there. As a companion piece to the Secrets of the Talking Jaguar, which is equally profound, this book leads us away from the Shamanistic and into the everyday life of these beautiful people. The book is full of the wisdom of the past regarding such things as marriage, teenage years, birth and death. My emotions and memories of the indiginous peoples of this land are brought vividly to mind in this book. I have lived and worked for many years with Pueblo people and am struck by the many similarities of belief and ritual.Prechtel is a fantastic writer who keeps one wanting more!

This being third in the sequence of Martin Prechtel's books that I'd read this year, completion of the triptych brought my understanding to critical mass/tears in view of how much has been lost in Guatemala's entry to the 21st century. However, these writings make it highly probable that the loss is not complete, or unmourned. His books embody the very processes he tells of; for example, his mention of customs which are made to be broken: people's learning the significance of who breaks them, how, and when they are broken or allowed to be broken strengthens the culture.* His own experience of out of sequence initiation illustrates this, but beyond that, the fluidity with which he passes between poetic and humorous storytelling and epilogues in a more philosophical tone invites inner dialogue in the reader. He is well aware of the modern consumer mentality as a ghost layer mimicing an underlying spiritual void, when he taunts the readers at the outset that many will voraciously consume his books and move on, without fulfilment. *This realization is the most important one passed from mentor to initiate in any culture. My mentor at the same period (the 1970's)was a halfway-house worker who realized and taught others that we were not there to enforce a culture on the mentally ill, but rather light-heartedly yet seriously to help them draw the line as to what they could expect to get away with and more importantly, not get away with, in this life, and to plan accordingly. Indigenous music and language being preserved and used in their celebratory (if no longer ritual) uses may be all we have left to work/play with. Prechtel does well to begin his story with his introduction to Mayan music. The depths have not yet been plumbed as far as the role music plays in initiation, since the printed word is not the right medium to convey this. It struck me as wonderful that a Peruvian flute band were playing their hearts out last weekend in Portland, Maine, at the last visit of the Tall Ships- a proper "send-off" to the ghosts of Conquistador navies by a very much alive pre-columbian musical band.

Martin's words are a blueprint for healing our spiritual wounds and our separation from the natural world around us. As a mentor, I found the information on initiation and the levels of hierarchy within his village to be invaluable. His dedication to the Mayan traditions and the people who have carried that wisdom down through the ages is exemplary. Thank you Martin for the strength and courage to bring that message forth during these very troubled times!