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Paperback Life at the Top (Valancourt 20th Century Classics) Book

ISBN: 1941147534

ISBN13: 9781941147535

Life at the Top

(Book #2 in the At the Top Series)

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Format: Paperback

Condition: New

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Book Overview

"It deserves its success. It is very far from being a mere frivolous bestseller." - Anthony Burgess, Observer

"Alive from the first moment to the last." - Listener

"John Braine has brilliantly repeated the success of his first novel." - Arthur Calder-Marshall, Financial Times

In John Braine's remarkable first novel, Room at the Top (1957), he introduced readers to Joe Lampton, a ruthlessly ambitious young working-class man determined to reach the top at any cost. The book became a defining novel of the decade, selling over a million copies and being adapted for an Oscar-winning film.

In Life at the Top (1962), we meet Joe again ten years later, after he has gotten everything he thought he wanted: an upper-class wife, a nice house, a sports car, two children, and a job at the premier firm in town. But despite all his material possessions, Joe's life is strangely empty. His boss treats him with disrespect, his son despises him, and his wife is having an affair. Consumed with a growing anger and discontentment, Joe becomes desperate to escape the life he has created for himself. When he falls in love with the pretty Norah Hauxley, is it a chance to break free and start a new life, or will it prove to be just one more illusory promise of happiness? This edition of Braine's classic features a new introduction by Ben Clarke and a reproduction of the original jacket art.

Customer Reviews

1 rating

A remarkable contrast with how we now see the era

After recently re-reading John Braine's Room at the Top, I went On Chesil Beach, courtesy of Ian McEwan. Without doubt the latter is a masterpiece, whereas the former seems to be a little too reliant on its contemporary setting, its social mores, its finely tuned appreciation of social class to be considered more than "of its time". Concatenating the two books, however, has made me think a little more about the underpinning thesis of Ian McEwan's book, that the early 1960s remained an age when sexuality was not discussed, dealt with or even experienced in the more open, liberal manner of just a decade later. In the context of Ian McEwan's setting and for his characters, this was undoubtedly the case. Memories of John Braine's 1950s, however, remind me that there might have been room for a different reading. And so I approached a re-discovery of Braine's Life At The Top with more than just an interest in the narrative. Of course the book is a sequel, an attempt to recreate the success that had eluded its author in the intervening years. But it is based in the early 1960s, precisely the time when Ian McEwan's fumbling lovers marry. Life At The Top is ten years on from its germ. Joe Lampton and Susan are married and have two children. Joe is also firmly ensconced in his father-in-law's firm, has made a moderate success of his career and, certainly relative to others around Warley, has plenty of money. But as those for whom success seems to be a given, it is necessary to be reminded that, "It's one thing to get there, and quite another thing to stay there". And so it is with Joe Lampton. He becomes a councilor - a Tory one at that - and all seems to be made. But then, but then...he's still our Joe. He still likes his pint, though now it's more likely to be a scotch, and perhaps Susan is till as naïve as she was a decade before - naïve, that is, until she decides what she wants. So, obviously, in Life At The Top Joe and Susan's life together turns sour, even a little bitter. But John Braine's plot and style always keep the process above soap opera, where character only exists to fuel plot. In some ways, the pair of novels, Room and Life At The Top, is a loose allegory of the experience of the author, himself. In Room he's an upstart successfully staking his claim, but at a cost in terms of pigeon-holing and confinement to a genre. In Life he's a known success and is clawing on to its retention. But after finishing the book two points stand out. The first is a reminder of the apparent sexual liberty enjoyed by its characters. Not only Joe, but also Susan and eventually Norah, not to mention the ailing Mark, are apparently free-loaders. Only Mark's wife seems to possess the frigidity, perhaps aridity, that Ian McEwan seems to associate with the era. I can remember when Life At The Top was a much watched film. It was seen as racy, even a bit risqué, but not because of what it portrayed, only that it was portrayed. It wasn't the content that shocked;
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