The Dark Bride

Ni Allende, ni Gabriel Garcia Marquez sino pura y nueva escritura del fin de siglo latinoamericano que nos hace sentir muy bien pues es prueba fehaciente de que alguien pudo encontrar un nuevo camino o tal vez la sintesis de la obra de quienes fueron sus maestros. Esta novela que viene de la mano de una escritora premiada (y no lo encuentro raro) se nos presenta a traves de una estructura tripartita compuesta por una voz narrativa, el niño (y luego zorrero) Sacramento y la niña que este recoge y que luego se convertirá en Sayonara la diosa de la Catunga. Todo unido en esta escritura no meramente literaria sino cultural y antropologica: la descripcion de las casas pobres con la presencia eterna del cuadro del Sagrado Corazon de Jesus nos hizo recordar tantas casas vistas en los campos puertorriqueños y por que no en apartamentos del sur del Bronx (y eso que la novela es colombiana!) Es una novela que hay que leer poniendo atención al detalle y a las multiples referencias al propio canon literario que cita como Neruda, Ruben Dario, Borges (desde el primer capitulo) y debe ser incorporada a cursos de literatura latinoamericana y estudios sobre el genero y acompañada por otra novela de recien aparicion con quien comparte ambiente y temas: Nuestra señora de la noche, de la puertorriqueña Mayra Santos.

Una Colombiana maravillosa...Que libro tan entretenido y triste al mismo tiempo. Resptrepo hace sentir tanto como Marquez el tropico con una historia no menos interesante que los de Marquez. Les aconsejo a todos.

Under a shining moon in the Columbian jungle, the shabby village of La Catunga transforms itself to a place of merriment, music and beautiful women under the colored lights that connote the ladies' different nationalities. These women nightly await the petroleros, men who work for the American-owned Tropical Oil Company, who toil in the hot jungle during the days and spend their evenings drinking and seeking the favors of the women of La Catunga. Columbia is the country of the Sacred Heart, common language peppered with references to a variety of saints, the Blessed Mother and the Sacred Heart; religion is wound tightly into a culture that must endure much and suffer greatly. Religion is hope, the promise of a better life after death. In sharp contrast to their religious beliefs, the women do what they must to survive and often all that is available to them is the sale of their bodies for the pleasure of men with a few coins in their pockets. These are businesswomen, who sell their bodies, rarely their hearts: "from the waist up is the soul, from the wait down is business." For the few who lose themselves in dreams of romance, only heartbreak awaits. Sayonara arrives in the barrio with nothing but the clothes on her back. A cart driver delivers her to the door of the aging, but still beautiful, Todos los Santos, who takes the wild girl into her care, preparing her for a future as one of the most legendary of the women of the village; men will tremble with adoration at Sayonara's rare combination of helplessness and arrogance. Todos los Santos accepts the young girl willingly, recognizing the potential under the layers of dirt and wild blue-black hair that tumbles about the child, determined that this wild young creature might "prosper in the pursuit of survival". This is an impossible love story in a place where love is forbidden. Narrating as a reporter seeking to separate truth from rumor, the author delves into the history of the legendary Sayonara from those who know her best: the old woman who trains her for success in the life, the cart driver who craves her obsessively, but is unable to sort the girl of the day from the woman of the night and the petrolero who loves her, but has a past he cannot escape. Dark Bride is a compilation of memories, some truthful, some wishful, all contributing to the ultimate mystery of Sayonara, forever a creature of myth to the women of the village. Her power is their power in a world where simple survival exacts a heavy price and an incredibly lush jungle surrounds the most insidious poverty, juxtaposing the harsh realities of Columbia, where beauty coexists with despair and all is wrapped in the vague mysticism of religious belief. This is a land whose poor suffer deeply from the consequences of poverty, yet remain devoted to the religious convictions inextricably entwined with everyday life. The reader is drawn ever deeper into the small village of waiting women as the journalist unearths the truth o

When I flipped this book over and saw that the blurbs on the back were by Isabel Allende and Gabriel Garcia Marquez, I knew this was going to be the book I read next.The form of this book is journalistic--the narrator is a reporter doing research into the life of a mysterious and legendary young prostitute named Sayonara. Because the stories come filtered through the reporter and her interviews, there is some distance inherent in the tone. Yet because Sayonara changed every life she touched--including that of the reporter, who only comes to know her through a picture and stories--the passion of her story comes through, even secondhand.The book is set in Colombia's oil fields and in the brothels of a nearby town. The focus of the narrative remains narrow, mining the intimacies of the lives of the prostitutes and oil workers who turn to them for comfort (and receive it, in all senses of the word) once a month.Yet because their lives take place against the backdrop of the Columbian political and military situation, and the virtual colonization by American oil interests, there is another level to the story--at least insofar as all this affects the prostitutes and oilworkers.Not everyone is going to like this book. There is no driving plot. Instead, we start with a loose frame of a story and then gradually fill in the details, layer by layer. But if you like a literary, richly detailed book with an unforgettable cast of unusual characters, this might just be the book for you.

zest than García Márquez.A better knowledge of SpanishA high sense of poetic proseA bigger talent than Vargas LlosaA unique speed to keep you glued to her pagesA great pull to make you go back to certain paragrahps not because she is complicated, but BECAUSE YOU SAVOR THEM AS YOU WOULD ENJOY THE FINEST COGNACShe knows human nature.She paints her characters with realism.SHE IS UNIQUE...