KLEE

This is the catalogue for an exhibition that was held at the Hayward Gallery in London a couple of years ago. It benefits from the exceptional contribution of British artist Bridget Riley, one of this rare brand of artists who do not keep their thoughts on other artists to themselves. Seldom can you get an inside view of a painter's work through another painter's eyes. The exhibition itself was small, but with some of the best examples of Klee's paintings, coming from all over the world. The illustrations are lavish, colors are well rendered; on the whole, one of the best publications on Klee in English.

This hardback was issued by the museum when the Klee show toured the USA. It was a spectacular show that captured the essence of this 20th century artistic genius and I was fortunate enough to see the show and buy the book. Paul Klee explored just about every art style there was in his quest to develop modern art and his seemingly simplest paintings were usually his best. Klee lived an often traumatic life as well and when you are exposed to all of his works, you can easily see that quality in his paintings. I found the most eloquent ones were the ones he did as he approached his own painful death. The book does a tour de force job of covering the paintings which were in the show, which is the way the show now lives on.

This is an efficient and careful monograph that succeeds on many levels. Grohmann was Klee's biographer and longtime friend. He is respectful without being sycophantic, and thorough but never plodding. He uses a variety of source materials, including Klee's own writings (diaries and letters). Grohmann establishes Klee's lasting importance to art and to painting by asserting, "It is as though he were still among us, to be consulted on every problem of life and art." Grohmann's generous(40 pages, 58 illustrations) and lively essay on Klee is also charming and personal. It combines biography, criticism, a wealth of references, and thought-provoking appreciation. It's generously illustrated with photographs of Klee and his studio, plus ink, tusche, chalk, and pencil drawings, collage, watercolor, tempera, and oil paintings, a woodcut study, and etchings.The text that accompanies the following forty color plates (a selection of paintings) is the calm, clear art criticism that Grohmann is so good at. The plates' reproduced colors are good but not great. What's best is that Grohmann is such an able teacher. He describes each painting straightforwardly, and then asks intelligent questions, suggests answers that seem well-thought-out, and inspires one to further thought and research. His friendship with Klee gave him some additional understanding of his friend's work and lifelong passions and motives.A very worthwhile book on a great artist.