Volume one of S ren Kierkegaard's Either/Or explores the crisis of the modern secular void--with its attendant doubt, ennui, and alienation--from the first-person perspective of an aesthete who, lacking any epistemic or moral foundations, grows increasingly obsessed with what he calls "the interesting." In a close explication of the history of that aesthetic concept and a thorough exegesis of this volume, Kierkegaard's Concept of the...
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Philosophy