Striving to express the lived experience of women's music at The Club, Stacy Holman Jones has created a text that is itself performative, and the reader cannot resist playing a starring role. Her evocative narrative slips in and out of prose, dialogue, and poetry. Fieldnotes and song lyrics are staged as inseparable parts of the events of social meaning occurring between ethnographer and field site, between reader and text.
Jones is haunted by...