Judgment on Deltchev

This thriller by Eric Ambler, a master of the form, is an exciting story with the Moscow style show trials as a backdrop. Foster, the narrator, finds himself in disconcerting circumstances outside those of his previous experience, not unlike those encountered by the legion of Hitchcock protagonists. The more Foster tries to grasp the elusive truth in a totalitarian regime, the closer he draws to danger and possible death. This book is a great "spy genre" companion to "Darkness at Noon".

And who better to cover a Cold War, Soviet-bloc show trial for an American newspaper than a well-known British actor? That is the question posed to London-based actor, Foster, who accepts an assignment to write a series or articles about the show trial of Jordan Deltchev. Foster's adventures covering the trial form the basis of Eric Ambler's novel, "Judgment on Deltchev". For those not familiar with his work, Ambler was to the modern British spy novel what Raymond Chandler and Dashiell Hammett were to the American detective novel. Ambler transformed the spy novel from a simplistic black and white world of perfect good guys versus nefarious bad guys into a far more realistic world where sometimes the difference between good and evil is not all that great. Typically, Ambler would take an unassuming, unsuspecting spectator and immerse him in a world of mystery and intrigue in pre and post-World War II Europe. The result was a series of highly entertaining and satisfying books that many believe set the stage for the likes of le Carre, Deighton, and, most recently, Alan Furst. In Judgment on Deltchev, no sooner does the actor-turned- reporter Foster arrive at this unnamed Eastern bloc nation for the trial than he and is immediately caught in the swirl of intrigue surrounding it. Deltchev has been accused of being the mastermind behind a secret terror-society, "The Brotherhood"; plot to assassinate the `ruler', the nation's Stalin-like leader even though Deltchev himself had helped crush The Brotherhood in the not so distant past. Foster's first impression is that his local assistant is incompetent and that Deltchev is, of course, completely innocent. First impressions are often deceiving however and the more Foster learns the more he realizes how little he actually knows. To paraphrase Winston Churchill, the trial and the plot unfolds like a mystery wrapped in an enigma. As the plot develops Foster meets Deltchev's wife and daughter, government/party functionaries, and other foreign reporters who may or may not be stool pigeons for the government. As always, Ambler brings a keen eye for character detail and plot development to his stories. His characters seem realistic and far from the pure black and white world that predominated the genre before Ambler's arrival. It is also interesting to note that this was Ambler's first book written in his name after the close of World War II. In his previous books set during the 1930s he had a series of recurring Soviet characters that he always portrayed with a sympathetic eye. This no doubt reflected the view that both Britain and the USSR had more in common (a common enemy in Nazism) than differences. Judgment on Deltchev represents a Cold War change in focus. This change in focus reflected the times and was soon followed by Ian Fleming and John Le Carre. Judgment on Deltchev was an excellent book; one of Ambler's finest in my opinion. Highly recommended. L. Fleisig

When you account the reduced list of best writers about the underworld of spies and hidden secrets in the WW2 , your selection should turn around three names : Graham Green , Eric Ambler and Artur Koestler , among the most remarkable , obviously . The economic writing of Ambler is enough to translate us to the real stage of the War in the middle of the drama . Deltchev reveals once more the sinister intrigue and nasty interests of the Status Q in that age. Fascinating all the way .

Having finished all of the Alan Furst novels, I wanted to read Eric Ambler, one of the creators of the Espionage Novel. Ambler began writing his spy novels in the 1930's and continued through the 1970's. Most of his early work was set in Europe as the dark shadow of facism was falling on the Continent.Judgment on Deltchev was in written in 1949. With the end of the Second World War, Facism had been defeated and the new spectre of Communism was beginning to fall over Eastern Europe. This tale is set in an un-named Eastern European country shortly after the end of World War Two. The Communist Party has recently seized power and they are putting the respected leader of an opposition party on trial. With the backdrop of a political show trial, an underground stuggle is taking place to determine who will really run the country. It is into this highly charged atmosphere that Foster, an English journalist covering the political trial arrives.Eric Ambler is a master stylist. His writing is economical and he effortly produces a story of complicated political intrigue. Ambler's writing is a great example of how less can be more. There are many contemporary writers producing espionage tales set during the Second World War and the years immediately following it. Ambler was the first master of this genre and he set a very high bar.

It's easy for a person to begin to confuse their subjective perceptions with reality. Do this long enough, and the person becomes convinced that anyone who disagrees with them is either perverse or stupid. Naturally, a successful person is more likely to fall into this trap. That syndrome is one that Eric Ambler deftly explores in Judgment on Deltchev in such an effective way that the book actually transcends the spy thriller genre into universality. This is one of my three favorite Eric Ambler novels. If you haven't read it yet, you're in for a major treat! At the height of the Cold War, Foster, a London West End dramatist is invited to write a series of articles in what seems to be a political show trial of Yordan Deltchev behind the Iron Curtain. Deltchev had been a moderate leader in the revolution that brought the currrent government into power. The charges against him are assumed by Foster to respresent a final way to liquidate Deltchev's party, because Deltchev is accused of conspiring with the group that he had personally opposed. Like the protagonists in many of Eric Ambler's best novels, Foster is hopelessly naive and inexperienced for the challenges he is about to face. Only his good intentions can hope to save him . . . but too often his good intentions put him into dangerous situations. In the background are numbers of people who accommodate the current government in a variety of ways such as Georghi Pashik, the local press representative whom Foster relies on, and Sibley, the reporter. As the trial develops, many unexpected events occur and Foster finds himself unpeeling the onion of a complex mystery concerning what the real agendas behind the trial are. In the process, he learns a lot about himself and human nature in general. He faces important ethical challenges, ones that will leave you wondering what you would have done in the same situation. As a result, you'll find yourself walking in Foster's steps and sharing his reality. It's a chilling trip.One of several fascinating areas this book explores is the connection between whom we trust and whom we do not. Foster, like most, is attracted to those whose views he understands and approves of, those who are physically attractive, and those who he enjoys being with. Yet the information he receives that is helpful often comes from what would appear to be obviously untrustworthy or discredited sources. He gradually learns to cross-check his information, and digs to the bottom of many cross-currents of plots and subplots among the competing characters in the political tempest of a totalitarian regime. We can all learn a lot of good lessons from this story in overcoming out own shortsightedness about finding the truth.Learn to appreciate the fragile and delicate beauty of truth . . . and how to seek it...