This revelatory biography of Folies-Bergere dance Josephine Baker (1906-1975) is a study of struggle, triumph, and tragedy. Abandoned at birth, she battled racism, poverty, and sexism to become an international star.
The good, the bad, & the very ugly sides of Josephine Baker
Published by Thriftbooks.com User , 15 years ago
When most hear the name Josephine Baker, images of her sensually dancing across a stage in nothing but a skirt made of bananas comes to mind. There's much more to her than that and Jean Claude Baker (one of her adopted sons) gives us the dish. He recounts Tumpy's (a childhood nickname) poor beginnings in St. Louis to her death as a worldwide superstar in Paris. I'd really reccomend this book to anyone who wants to know what Josephine was really like. The good, the bad, and the ugly. Good things first, she was an untouchably talented dancer who has continually inspired dancers of all generations even after her death. Her voice, a shrill and lilting instrument, grew to almost Sarah Vaughn like heights. Despite her talents, Josephine could be a selfish and hurtful woman. She had a problem with lying all throughout her life. She never knew her father, but one minute she'd claim he was a successful black lawyer in Chicago and the next he was a simple Jewish man. Her whole early life in St. Louis would be flipped and turned around at her whim, to the point where published accounts would contradict themselves. Luckily, Jean Claude interviewed the people who knew her best and gave true accounts of her personality. She was also extremely promiscuous in her later teens. She went through male and female lovers like underwear and had no hestitation to use others when it would benefit her career. Even her legendary Rainbow Tribe was created out of plain publicity (shout-out to the Octomom). She barely spent time with the kids and left them in the constant care of nannies. She also had a penchant for slapping people she was angry with and her kids were no exception. She even sent one of her boys away to boarding school when she caught him with another boy, despite her own genderbending sexual history. Although Josephine could be downright mean, Jean Claude also reveals her funny and loving side. She made an effort to smother the kids with love when she had time to spend with them and she had a quick wit. Although the negative attitude of Josie is discussed at great length, Jean Claude isn't stepping into "tell all" territory. He obviously loved her, all flaws aside. He just wanted to create a more human portrait of a woman whose life has been clouded in myth and mystery.
An Absorbing Read
Published by Thriftbooks.com User , 17 years ago
Jean-Claude gives a well balanced account of the life and times of Josephine Baker. With unabashed frankness he describes her sexual escapades and decadent appetites, her manipulative and cunning business dealings, and her unbelievable selfishness. This biography paints a very clear picture of the woman who gave definition to the term "diva." Her demands of those who handled her and worked for her would go beyond unreasonable. For instance, she would borrow enormous sums of money from friends and would never pay them back, and would then call on them again for more favors as if she had never defrauded them. There was no request too outrageous for this woman to make. Realizing that her family in St. Louis was suffering the horrendous racial atrocities of America, she brought them to her home in France only to use them to work for her on her estate. At one point she disowned her brother because he would not allow her to adopt his child and raise it as her own. She would work her nurses, her maids, and the children's tutors so hard that the turnover became virtually unmanageable. Her maids would work extremely long hours, and as a result her employees became disgruntled and would often steal from her. She used men like one would use Kleenex. She brazenly carried on affairs with married men, some of whom were husbands of friends and fellow-entertainers. She engaged in enumerable sexual affairs (and orgies) with both men and women. Wild goings-on aside, she was a consummate entertainer--constantly reinventing herself and giving herself completely to her audience. In an era when black performers suffered atrocious injustices, she perseveared. She'd encountered terrible racism in many cities (especially when she returned to America), so much so that she was turned away from so many hotels that she had to stay with friends while under contract to perform. While not a tell-all tabloid type expose (thankfully), Jean-Claude Baker delivers a thorough account of the life of one of the world's most exciting and enduring icons. If you are a fan of historical figures and of biographies, this one is a must read.
A fond, passionate portrait of a hard-to-pin-down woman
Published by Thriftbooks.com User , 21 years ago
Josephine Baker was enigmatic during her lifetime and even more so after her death. A chanteuse, a sex symbol, the mother of 12 adopted children, French Resistance heroine, Baker reinvented herself as often as necessary to stay at the top of her trade - whatever that trade was at any given moment. Jean-Claude Baker (one of her 'adopted' children) chronicles her life in this engaging biography with a mix of love, admiration, and incredulity. The lady had balls, and while not a tell-all book, The Hungry Heart does her ample justice.
Fantastique!
Published by Thriftbooks.com User , 22 years ago
A perfectly balanced expose of this legendary and highly complex superstar: Amoral in extremis, manic and delusional, but blessed with indomitable human spirit. Excellent historical perspective throughout. A beautifully written biography which does not succumb to the tawdry, despite its detailed narrative of Josephine Baker's pathologically decadent lifestyle.Absolutely the best biography of J.B., bar none. A Must Read for Paris cabaret enthusiasts.
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