American Prospects

This is an essential volume for those looking at color photography of the United States. This fits within the tradition of Eggleston and Shore and is presented in a large, oversized format. Along with Epstein's Recreation and Soth's Sleeping by The Mississippi this is a distinguished collection.

The title of this review suggests that I am exaggerating, but I promise that I am not. This book of photography blew me away the first time I opened it. How had I gone for so long without hearing of Joel Sternfeld? This book is full of large, beautifully printed color photographs of a quality I couldn't have expected. Each image is beautifully thought out and perfectly executed. The photographs are sometimes humorous, sometimes somber, and always carry a visual impact. Stephen Shore is an obvious point of reference; both photographers were working with similar materials right around the same time, both traveling the country capturing their view of America. I find Sternfeld's photographs to be placed on a somewhat grander scale, while Shore's photos suggest a more offhand manner. Both have a permanent place on my bookshelf. I can't recommend this book highly enough, I suggest that anyone interested in serious photography buy it right away.

What a refreshing twist on the usual coffee table photography book. Sternfeld's photographs of the natural and manmade environment are so interesting. They almost have an old-fashioned hand-colored postcard-feel to them, but the images are often startlingly futuristic. Great contrasts of the ugly and rusting and vacant with beautiful natural landscapes. The publishers did a wonderful job of cleanly presenting the photos to speak for themselves and putting all the verbiage up front.

JOEL IS A GOOD NAME AND THIS IS A FABOULOS WORK.This man is travelling a lot!!!I want only says that J.Sternfeld is able to meet people and discover particulary little object too that can be fundamental for go inside these pictures,he use colour in a cool way too,soft traditional in colours but in meanings is not really traditional expecially if we related his work in the world of landscape's photography.He use landscape like it was reportage.It is a way for put something else inside.That picture could be sometime strong somentime enchanting but always are intresting me.Put something strange in your picture and maybe that landscape could change his own value. I like a lot ciaoooooo

if you want to know where the comtemporary obsession with large format color "street" work came from, this is it. newer books, by artists like alec soth and other color documentary artists, are excellent, important books, but it must at least be noted that the true groundbreakers were working a generation ago, putting out these kinds of books before it was the accepted trend. and simply put, this work along with shore's 'uncommon places' and eggleston's 'guide', are still, in my opinion, unsurpassed. on top of that, the size and reproduction quality of this book are mind-blowing. i can't imagine any photography fan not loving this book, or any serious student not wanting it (for a decent price, of course, which this actually is with the discount.)