Japanese Tales of Mystery and Imagination (Tuttle Classics of Japanese Literature)

One of the most intriguing visuals associated with Gothic Lolita fashion is Ero-Guro, or the erotic-grotesque. This sensibility has its roots in the Taisho era (1912-26), during which the Japanese experienced World War I and struggled to make sense of the West after centuries of isolation. The disturbed mood of the times was captured in the mystery stories of Edogawa Rampo (a pseudonym inspired by Edgar Allan Poe). An English compilation, dubbed Japanese Tales of Mystery & Imagination, includes: >> The chilling story of a quadruple amputee living in isolation with his perverse wife; <br />>> The weird record of a man obsessed with optics who creates a chamber of mirrors and descends into insanity; <br />>> The morbid confession of a maniac who envisioned a career of foolproof "psychological" murders; <br />>> The eerie encounter with a portrait that appears to be alive; <br />>> The twisted psyche of a somnambulist who commits murder in his sleep; <br />>> The bizarre tale of the chair-maker who buried himself inside an armchair and enjoyed a sordid career of "loves" with the women who sat on him. <br /> <br />The fetishistic impulses of Ero-Guro are laid bare in "The Caterpillar," a story of a lieutenant horribly disfigured by a shell. "His arms and legs had been amputated so closely that not even stumps remained, but only four lumps of flesh to mark where his limbs had been. Often he would lie on his great belly and, using these lumps to propel himself, manage to spin round and round - a top made of living flesh. (P74)" His wife must devote every minute to caring for this fragment of a man, who can only express himself through round, child-like eyes. And she finds herself wrestling with strange and perverse sensations: "The very disgust and ugliness [...] seemed to excite all her pent-up passions and to paralyze her nerves. (P75)" <br /> <br />The wife's reaction is disturbing, but perhaps not so surprising. There is something captivating about a cute, helpless baby doll that is simultaneously grotesque and gory; Guro-Lolita fashion flirts with this tension. For those intrigued by Gothic Lolita, check out the website http://www.lacarmina.com <br /> <br />If you're a fan of Sherlock Holmes, Dostoyevsky, and Poe, check out Edogawa Rampo's fast-paced stories. They'll chill your blood - and give you a glimpse into the cultural background of Gothic Lolita.

First let me say that I picked this volume up with low expectations and now I must say that I'm deeply impressed.Here is a writer whose vision is entirely his own, his style succint and easy to understand. Although frequently labelled as a mystery writer, Rampo`s short stories are best viewed as weird fiction with pulp mystery flavour. All stories are worth reading but THE HUMAN CHAIR is an undisputed masterpiece and in my humble opinion one of the best weird short stories ever written Edogawa Rampo is an original and deserves recognition and a larger audience. THE JAPANESE TALES OF MYSTERY AND IMAGINATION: The Human Chair ======================== ***** Psychological Test ===================== *** The Caterpillar ======================== ***** The Cliff ============================== **** The Hell Of Mirrors ==================== ***** The Twins ============================== **** The Red Chamber ======================== ***1/2 The Two Cripple Man ==================== ***1/2 The Traveller with the Pasted... ======= ***1/2

I can think of few more truly disturbing stories than Edogawa Rampo's "The Chair." A psychologically fable describing in minute detail how a master furniture maker, obsessed with an unachievable woman, creates a chair with himself hidden inside. This chair is given to the woman, and each time she sits in it she nestles unknowingly in his lap, puts her weight onto him, lays her head against his face. The furniture maker silently feels her every night, without her ever knowing. The atmosphere, the detail of the language, and the sheer nature of the story combine for one of the classics of this genre. "The Chair" is of course included in "Japanese Tales of Mystery & Imagination," a compilation by the father of Japanese mystery writing. Much is made of his adopting the Japanese pronunciation of Edgar Allan Poe as his pen name, but Rampo's style is his own. He favors psychological horror, and there are few elements of the supernatural to be found. Sociopaths and obsessives seem to be his stock in trade, with detailed exercises on how to commit the perfect, untraceable murder. Many of the stories end with some unexpected revelation, although I would not call it a "twist ending." The obsessive nature of the stories renders them all the more disturbing, as almost every story is something that could conceivably happen. In addition to the excellent "The Chair," you will find "The Caterpillar" featuring a cruel wife's abuse of her de-limbed husband, "The Cliff," a back-and-forth story that will leave you wondering who is manipulating who, "The Hell of Mirrors," a man obsessed with optics and reflecting surfaces descent into insanity, "The Red Chamber," revealing the true nature of those who are attracted to stories of others deaths, "The Two Crippled Men," a story of a murderous sleepwalker who commits crimes without ever knowing it and "The Traveler with the Pasted Rag Picture," the only story with a supernatural twinge, showing brotherly devotion and love of the unreal. Each story in "Japanese Tales of Mystery & Imagination" is well-selected, and James B. Harris does a fine job with the translation, maintaining the tension and original intention. The only real shame is that this is the only collection of Rampo's works that has been translated into English. After reading this you will long for more.

I am a huge Japanophile and a lover of dark tales of mystery and I found that this book is the best of both worlds. After reading these stories, I pulled out my dusty old collection of Poe stories and started reading them all over. The translations are excellent (despite a few questionable spellings) and the overall feel of the novel is very Poe-esque (undoubtedly because Edogawa Ranpo, himself, assisted the translator in the creation of this collection).While a few reviewers have criticized Edogawa Ranpo for his stories lacking Poe's feel for the dark horror novel, one must know that Edogawa Ranpo is regarded as the father of the Japanese MYSTERY novel, not horror. So, for anyone hoping to get a good scare from this book, you will be let down.But, with that said, the stories are wonderful and I, quite honestly, would have forgotten that the stories were set in Japan if not for character names. A beautiful collection of dark mysteries that would please fans of Poe's "The Purloined Letter" and "The Tell-Tale Heart," but not necessarily fans of "The Pit and the Pendulum."I highly recommend this book to fans of Japanese literature, those who like the "Kindaichi Case Files" (Kindaichi Shounen no Jikenbo) and fans of a good mystery.

Edogawa Rampo (a pen name based on the Japanese phonetic rendering of "Edgar Allan Poe") wrote stories featuring bizarre plot twists, keen insight into human nature (usually the dark side), and dreamlike imagery. Rampo was truly a brilliant writer, way ahead of his time, and this excellent translation is a pleasure to read. Many of these stories continue to haunt me long after I read them, and I've enjoyed reading them again and again--and sharing them with friends.