It's a Good Life, If You Don't Weaken: A Picture Novella

To those who feel Seth's narratives are 'mundane': I feel sorry for you. You're missing a lot, including the entire point. The essence is in the details, and the prevalent theme that these details are so easily lost in the increasingly sped-up passage of time is certainly a significant and admirable lamentation. This book is packed with insight and genuine affection towards the idea of remembrance, which is quite different from mere nostalgia. Far from a 'rant' against modernity, it is a deftly understated meditation on what makes things worth being remembered, and appreciating what makes life, and lives, worthwhile. Also check out 'Clyde Fans', which is an even more poignant and subtle variation on these themes.

In the 1990s, many non-superhero comics were autobiographical. Cartoonists told their own stories, revealing the details of their mundane habits, obsessions, love lives, and their work. Seth did it, too, in the second half of the decade, and his story is one of the most elegant and honest.Taking his obsession with gag cartoons and newspaper strips as a jumping-off point, Seth tells his story about looking for meaning in a rapidly changing world. You get the sense that he's worried about being pretentious (or boring), so he spices things up with conversations with his friend Chester, dating a cute brunette, visiting his mother and brother, ice skating, and smoking lots of cigarettes. There's some travel and a little detective work, too.The images are not always tied to Seth's thoughtful narration. At times, he gives you landscapes to look at while he writes about his life. This could be disorienting, but it works very well. The words and images create an emotional effect that wouldn't exist if he narrated what you were looking at. His style is a personal variation on gag cartoons from the middle of the century, which turns out to be the perfect style for Canadian cities and suburbs.If you're looking for something special --- maybe you want to read non-superhero comics, or you want a short novel with a twist to it --- try this book. It's perfectly suited for adults who feel a little out of place in the world.

If you have read Joe Matt's incredible confession "Peep Show", you might remember his friend Seth's words "I'm working on an autobiographical comic book, but it's not finished yet...". Now here comes the comic, but in a very different style from Joe's (so Joe had no need to feel like part of some insidious TREND). The story traces the life of an old cartoonist Kalo, and it wraps over Seth's own life. The drawing touch of the cartoons in good old era also wrap over Seth's style. We can see the trace of Kalo and old cartoonists not only in the story, but on Seth's joyful drawing touch on rain, trains, trees, hairs, wires, a kite, a bog roll, and even the smoke of cigarette. This comic is about how our thoughts move when we draw lines. Don't stick at a single frame or single sentiment in the depressed monologue. Feel how the sequence of frames and lines are traveling with the sentiment traveling, and you can notice here is a new way of travelogue.

Seth is one of my favorite comic artists today. He manages to combine a distinctly personal drawing style with an involving and timely storyline, in this series about a man (based on himself, presumably) who loathes the post-modern and seeks out the past through a 1950s New Yorker cartoon artist, whose work is an inspiration and source of joy. That's the basic plotline, but the story also involves the reader in the main character's personal thoughts and his relationships, how they sometimes lead to a life lived by his convictions, but often alone.

this is definitely one of the finest graphic novels i've read. as the world is in a frenzy over the hype that is the new millennium, there is at least one man who dreads this passing of the old millennium. this man is no other than the author, seth (whose real name is gregory gallant).this book (collected from his comic series palookaville) is about a world that is moving too fast, changing too fast and losing it's sanity too fast. it's about the author's meditation on the past, and his disdain and hopelessness in a world that has become too 'modern'. whatever happens to the charm of the old: old buildings with authentic architecture details, hand-painted restaurant signages, etc.all this is told subtley through the author's search for a forgotten and obsure cartoonist who used to draw for the old new yorker magazine.the book could make a grown man cry, and it will make you think twice before you decide to buy the next latest hi-tech gadget which you might not need.