Innocence and Impropriety

Jameson Flynn, secretary to the Marquess of Tannerton, was ambitious serving his Lordship with competence and loyalty in the hope that one day he would be rewarded with a promotion and possibly serve royalty. As such no task or duty was beyond his capabilities to accomplish with efficiency and tact - that is until the day the Marquess assigned him a most delicate task of winning over the affections of the newest flower to perform at Vauxhall's Garden, the beautiful songstress Miss Rose O'Keefe. The only problem was from the moment Flynn saw and heard her, he was totally captivated himself. Rose O'Keefe's beautiful voice along with her exotic beauty was the newest sensation and her admirers were legion all wishing to become her protector and benfactor. Knowing Rose could not attain her dream of performing one day at the Kings's Theatre without a wealthy benefactor, her father and his greedy paramour were not above negotiating a sweet deal for themselves as well. As Flynn mounts a campaign to win over Rose on behalf of his employer, Rose's dream of performing became less important when she understood that the feelings she had for Flynn were becoming more important to her than all the wealth and opportunity she might have as the paramour of a Marquess. Leave it to this fast rising star of an author to create another incomparable well researched romance that shows both sides of life in Regency England, from the well to do to the gritty underworld. I have long since been enamored by this author's prose as she raises the bar for regency historical romances. All her characters are so well fleshed out that the reader will be able to picture the beauty and innocence of Rose as well as Flynn's overwhelming passion for and guilt over those same feelings because of his genuine fondness and loyalty towards his employer. The depiction of the evil Earl of Greythorne whose sick and demented deviant behavior provided the right amount of danger and intrigue to offset the beautiful romance between Rose and Flynn as well as providing some amusing and witty opportunities for Tanner to amuse himself in what he now considered `sport' in winning the hand of the lovely Rose. Even though the reader will ideally find themselves rooting for Rose and Flynn to find their way to a happily ever after they will certainly find a soft spot in their hearts for the Marquess of Tannerton. As this author has been known to include characters from her previous novels, I sincerely hope to see her give Tanner the lead role in her next book. For a wonderful reading experience I highly recommend this book and author to provide you only the very best in your reading enjoyment! Marilyn Rondeau, for RIO - Reviewers International Organization

As a die-hard Regency romance fan, I am always delighted when an author displays a feel for the manners and customs of the time. Of late, such extensive author attempts are increasingly hard to find! Therefore, with her well-researched, emotional love stories Diane Gaston has certainly won my devotion. On a warm July evening in 1817, Vauxhall Gardens featured a concert starring Miss Rose O'Keefe. After her stunning performance, the Marquess of Tannerton immediately instructed his secretary to offer "protection" and soon, the lovely Rose O'Keefe would be in his bed! After all, Vauxhall Gardens was a delicacy of dubious delights. The Marquess of Tannerton was a good man and a very good employer and Jameson Flynn hoped his job, as the marquess' secretary, was but a stepping-stone toward a more lofty future! Flynn had significant ambitions. He wanted better things. As a servant, Jameson Flynn hoped for the government; sometimes he even dreamed of royalty. Yet suddenly, he found Rose O'Keefe in his most secret and bewitching dreams. When Flynn came to Vauxhall to procure her . . . for his employer, he had no illusions. He was, after all, the marquess' secretary and the Marquess of Tannerton expected Miss O'Keefe's affections to be bought and brought to his bed! And yet suddenly, Flynn found all his ambitious plans askew. Suddenly, Jameson Flynn wanted Rose O'Keefe for himself and that meant he was betraying the man who employed him. It meant he was betraying his future! Rose O'Keefe wanted to sing in London's greatest theaters! She wanted to live the life her mother had lost; she wanted King's Theatre! Yet now, her heart betrayed those dreams. Rose's gentle heart pined for something else -- love -- and it was not a love shared with the Marquess of Tannerton! No, it was a love shared with the marquess' handsome, Irish secretary, Jameson Flynn. Through her songs Rose knew, no love could be as pure or as true as first love! And Jameson Flynn was first love! Reviewer's Comments: I liked several things about INNOCENCE AND IMPROPRIETY. The first is that it felt right; the language, the setting, in fact Ms. Gaston's research, in general, all seemed appropriate for the times. Gaston's attack upon the era is very refreshing! In addition, the characters are very likable, particularly if you like restrained (rather than hoydenish) heroines and proper (rather than rakish) heroes. Unfortunately, the all-important secondary character, the Marquess of Tannerton, did suffer! His character flowed from the pages as too ill-defined. Of course, some of INNOCENCE AND IMPROPRIETY's characters are from Gaston's previous books, so perhaps the marquess has a story of his own coming! Still, what fun and delectable reading watching the innocent Rose and the very proper Mr. Jameson Flynn come together! Initially, poignancy ruled most of the pages, especially during the scene when Flynn arranged, for Rose, an evening at the opera. At this point, I believed

I love how Diane takes secondary characters from her other books and gives them tales of their own. This one offered a whole different perspective as it isn't the usual upper crust romance, but a romance between members of the working class. Rose and Flynn are both such likeable characters. I couldn't help but hope for the best from the very beginning. And I even found myself falling for Tanner! Diane's characters are believable and lovable (except for the villians!). I appreciate how Diane is not afraid to reveal how difficult and unpleasant life could be for those without money or power. Her villian is truly a nasty character, who made my skin crawl, more because people like that exist, and prey on the nameless faces of the poor. This story had me reading into the wee hours of the morning because I had to know everything turned out all right. It's a delight to see "old friends" from previous stories. I'm so looking forward to her next book, even if it isn't coming out until 2008!

There are romances -- the kind you read to kill time -- and then there are *romances* -- the kind you read when you want your mind and your senses fully engaged, your spirits lifted, and your heart left pounding. Diane Gaston's INNOCENCE AND IMPROPRIETY is this latter kind of romance -- in other words, A KEEPER. My reading time is too precious to be wasted on characters I don't immediately care for. I know, having read all of Ms. Gaston's previous romances (and also those written as Diane Perkins) that I WILL love her characters, because they are so consistently *real*, so human, and so sympathetic. Rose O'Keefe and Jameson Flynn, the lovers in "Innocence..." are clearly meant for each other, but there are so many obstacles for them to overcome that you cannot help but turn page after page (preferably without stopping) to see how in the world they are going to ever make it. Gaston's plots are wonderfully complex, but not to the point of being boring or unbelievable. Her main characters are richly drawn, as are the supporting characters, a few of whom we've seen in previous novels (Katy, Madame Bisou, and others) , but you needn't have read her previous novels to enjoy this one thoroughly. One secondary character from a previous novel, however, becomes a central one in this novel : Greythorne, a devotee of the practices of the Marquis de Sade. Yes, Greythorne is a sadist. We have a tendency to use this term jokingly in current parlance, but that's not where this story is going. He is *truly evil* -- and Rose is in danger of being sold to him (almost literally , since she's under 21, and has zero rights). Her own father may be forced (as it were) to 'sell' her hand to the highest bidder -- will it be Tannerton (our hero's boss) , or Greythorne? Can Jameson (the one who really loves her) save her? Her father doesn't know what a monster Greythorne is, nor does Rose (at first). Her only option is to run for her life, and we all know she wouldn't get very far, in her day. The author's treatment of Greythorne's scenes is (thankfully) so artful that I was at once creeped-out and riveted, but not sickened. Talk about a balancing act. Brava! Rose has a beautiful natural singing voice and a gift for being able to communicate with an audience through her songs. She fills the music with her own deep longing, which the listeners cannot fail to hear; they love her for it. But her dream is to sing in the grandest opera house in London -- the King's Theatre, where her mother had once performed. Her mother's career was cut short by an early death, and Rose dreams of fulfilling her mother's own aspirations. Jamseon Flynn has very high ambitions, as well, in the political sphere. He cannot afford to be linked, in the eyes of those above him on the social ladder, with a mere 'musician' -- a low-life, a woman of "loose morals." That's what Rose is, not only in the eyes of the rich, but even in the eyes of her many admirers, of all classes and wa