This first collection of fiction by Anjana Appachana provides stories that are beautifully written, the characters in them carefully and respectfully drawn. All the stories are set in India, but the people in them seem somehow displaced within their own society--a society in transition but a transition that does not come fast enough to help them. Appachana manages to capture the pervasive humor, poignancy, and self-delusion of the lives of the people she observes, but she does so without seeming to pass judgments on them. She focuses on unexpected moments, as if catching her characters off guard, lovingly exposing the fragile surfaces of respectability and convention that are so much a part of every society, but particularly strong in India, with its caste system, gender privileges, and omnipresent bureaucracies. All life seems to be prescribed; these characters bravely or cautiously confront the rules and regulations or finally give in to them resignedly--any small triumphs they achieve are never clear-cut. One of the most unusual aspects of many of the stories is the way in which they are informed by but never ruled by the author's feminism. She never lectures her readers but lets us see for ourselves: a bride caught in a hopeless marriage where she has given up all rights to any life of her own, a hapless college student who is confined to campus for minor infractions just at the time when she had an appointment for an abortion, a young girl who keeps the dark secret of her sister's rape, a woman executive and a digruntled male clerk both trapped in the intricate bureaucracy of their business firm and the roles they must play to survive there. By turns warm, gullible, arrogant and bigoted, all of these characters live their lives amid contradictions and double standards, superstitions and impossible dreams. Appachana's vision is unique, her writing superb. Readers will thank her for allowing them to enter territory that is at once distant and exotic but also familiar and recognizable.
There are not enough words to express the excellence of this book. I have read many books by Indian authors, but not one of them has depicted life as vidvidly and honestly as this author. Her stories speak of the lives of the common person, the hypocracies, the trajedies, the compromises made just to continue living. She even gets the dialect right when portraying different characters and their form of speech. Anyone who is South Asian can relate to the experiences of her characters, and for everyone else, this is life in South Asia.
Excellent, must read
Published by Thriftbooks.com User , 26 years ago
A well, culturally sensitive book of woman oriented short stories. A book that is a must read for anyone who is interested in contemporary Indian writers.
Captivating, every story leaves you wanting more.
Published by Thriftbooks.com User , 26 years ago
For someone who knows relatively little of the Indian culture and customs, but is fascinated by the subject, these short stories are a marvellous insight into the relationships and family dynamics that occur between the generations in India. The only disappointment was coming to the end of each story. One had become so involved in the lives of the various characters that one almost felt cheated at not being able to know more and experience a continuation of their lives and stories. I hope Appachana plans to write lots more. I will be waiting for her next publication.
One of the Best Short Story Collections I have Ever Read
Published by Thriftbooks.com User , 28 years ago
By far, one of the best short story collections I have ever read. The stories in Incantations are touching without suffering from trite and cliche language, themes, or characters as in Chitra B. Divakaruni's, ARRANGED MARRIAGE. Appachana's prose is not expository like Divakaruni's, but rather, immensely touching while also moving the narrative forward. She deals with the social and personal predicaments of Indian women, but not in a common way. Appachana's best stories are "Incantations" and "My Only Gods," although all of the stories are excellent, and they really make the reader think about what the author is saying. You cannot come away feeling something for these characters. I have been waiting for ages for a new work from this author, and she is finally coming out with a novel this year.
sensitive, beautiful prose
Published by Thriftbooks.com User , 28 years ago
Anjana Appachana's sensitive stories use interior monologue and India-rooted metaphor to enter the hearts and minds of her memorable characters. She shows us how Indian tradition and culture can restrict and liberate, irk and comfort at the same time. Every story transcends cultural boundaries and asks us to remember our common humanity.
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