In the Best Families (Crime Line)

All the Nero Wolfe's I've read (only four so far) have been good, but I was very fortunate to have, without any planning, read what you could loosely call the `Zeck' trilogy in order. Loosely because while Wolfe's nemesis Arnold Zeck is first mentioned in And Be a Villain: A Nero Wolfe Mystery (Nero Wolfe Mysteries), and more forthrightly in The Second Confession (The Rex Stout Library: a Nero Wolfe Mystery), neither of these books centres on Zeck, but largely stick to the standard solving of a separate mystery formula, although it is an added bonus to have Wolfe working around the sinister master criminal. Let me strongly advise you NOT to start your Nero Wolfe experience with `In the Best Families': much of the pleasure of this superior tale is in knowing the conventions of the series before Stout has the fun of bending them. `In the Best Families' lets us enjoy all sorts of unconventional behaviour. It's like one of those specials in a long running TV series where for one night they step outside the norm - but think more of, say, the success of the singing Buffy episode (I haven't seen it but fans tell me it's good), rather than, um, the Brady Bunch in Hawaii. Having got to know Archie and Wolfe so well, it's delicious to have them hurled about in this episode. I mean, other characters have this sort of thing go on all the time, but for Nero Wolfe to behave this way! The typical pleasure of a Rex Stout mystery is the urbane wit, enjoyable jousting, and workable crime plot. Here, instead, we have drama and danger. Stout has been so controlled (or safe) with Archie and Wolfe for so long, this departure has a wonderful impact. We get a parallel universe - what would Archie do without his guru? We get to see the unflappable Wolfe monstrously discomforted. I can't say I was overwhelmed by the climax - the sting had way too many chances for bungling for me to give stunned acknowledgement to the machinations of the unarguable `genius' of Wolfe (although his first phone call is a triumph). But the fun I'd had on the way more than made up for this. This one isn't merely competent, it soars.

Set at the time of its writing, IN THE BEST FAMILIES is a period piece today. At the time, federal income taxes were due on March 15, so as the story opens in mid-April Wolfe isn't inclined to turn down millionaire clients on a whim, not even when Mrs. Rackham's request involves investigating her husband. She wants to know why, after gradually escalating requests for money which she'd begun to refuse, Barry Rackham is suddenly flush with cash. That question seems resolved, if not proved, when Arnold Zeck arranges for a package of tear gas disguised as sausage to be delivered to the brownstone the day after Wolfe accepts the Rackham case. Zeck doesn't casually warn Wolfe to stay out of his operations unless there's something for Wolfe to find, and Zeck's involvement plus Barry Rackham's unaccounted-for cash suggest that Rackham is up to his neck in Zeck's criminal enterprises ("all of them illegal and some morally repulsive"). As the third, decisive clash between Wolfe and Arnold Zeck, this should be read after AND BE A VILLAIN (the Orchard case) and THE SECOND CONFESSION (in which Zeck arranged for men with machine guns to open up on the plant rooms just to make a point). Previously, as Wolfe points out early on, he and Archie have been lucky in their encounters with Zeck. The resolution of the Orchard case didn't require probing of Zeck's operations, and the problem of THE SECOND CONFESSION actually put Zeck on their side when it turned into the investigation of the murder of a Zeck employee. The opening superficially resembles the initial situation in THE SECOND CONFESSION, as Archie is dispatched to the Rackham estate in Westchester county for a weekend visit, although on this occasion he's using his own name and claiming to be investigating the poisoning of one of Calvin Leeds' Dobermans (Mrs Rackham's trusted cousin). It's even somewhat justifiable, since Wolfe has strong feelings about dogs. The case takes a sharp turn, however, when Mrs Rackham and her dog are found stabbed after a late night walk (the dog having dragged himself to Leeds' place before dying). After a regrettable clash with the Westchester powers-that-be, who aren't at all happy to investigate a murder where most of the suspects are filthy rich or rising powers in New York politics, Archie returns home from a weekend in jail to find the door of the brownstone wide open and Wolfe gone, leaving only a note not to look for him. When Wolfe said he might have to take drastic action someday to remove Zeck as a threat, it never occurred to Archie that *he* might not be involved in the investigation. Drive in totals: - Four dead bodies. - Tear gas. - Multiple Dobermans. - Cramer taking a swing at Archie. - Archie telling Theodore (Wolfe's orchid nurse) where to get off. - Wolfe leaving the house on business. - One Wolfe-pulls-out-the-stops meeting in the office. - Arnold Zeck. - Lily Rowan. - Archie setting up on his own rather than continuing to draw salary (even though Mar

It's quite hard to write convincingly about a genius. Rex Stout did it better than anyone, including Agatha Christie or Conan Doyle. The Sherlock Holmes tales too often rely on microscopic examinations or encyclopedic knowledge rather than interesting logical deductions. Poirot and Marple appear too seldom in their books, and their analyses are frustratingly delayed until the very end. Nero Wolfe's genius is on display throughout his stories, and this book is no exception.Just compare the similar Sherlock Holmes story, "The Final Problem", where Holmes destroys Moriarty's criminal enterprise. No details are given - just vague quips: "I have woven my net round him", "at last he made a trip", and "if a detailed account of that silent contest could be written it would take its place as the most brilliant bit of thrust-and-parry work in the history of detection". Yes, too bad Conan Doyle never actually wrote such an account! The reason is simple: It was beyond him.Rex Stout was up to the challenge. This novel, with the main part of the story consisting of Wolfe's defeat of Arnold Zeck, describes the affair in detail. The final confrontation is both masterful and believable.The action elements of this novel may disturb those used to the standard formula, but it's a welcome break, and a treat to read.

It's amazing how comfortable you can become with the never-changing routine of the occupants of Nero Wolfe's brownstone. Theodore tends the orchids, Fritz cooks, Archie does the investigative legwork, and Wolfe never leaves the brownstone. Visitors come and go, and Wolfe interrogates them, manipulates them, and occasionally exposes one of them as a murderer. Wolfe's universe existed almost unchanged through seventy three stories. In one of them, however, the entire structure of Wolfe's, Theodore's, Archie's, and Fritz's world was completely destroyed. "In the Best of Families" is that story.A homely heiress asks Wolfe to check up on her husband. Arnold Zeck warns Wolfe off the case. Wolfe refuses. His home is bombed, the heiress is killed, and Wolfe disappears without a trace. Theodore takes a job in the country, Fritz goes to work in a restaurant, and Archie opens up his own detective agency. We have some clues as to what Wolfe might be up to from comments he made in "And be a Villain" and "The Second Confession," the first two Arnold Zeck stories. This much is certain: Wolfe must utterly destroy Arnold Zeck or forever remain in hiding.

Wolfe finally confronts Arnold Zeck, the supervillain who's been dogging him for several books. In addition to Archie and Wolfe taking on their nemesis, this book contains two of the most significant moments in the Corpus: the strafing of the plant rooms, and Lily Rowan's brief encounter with "Pete." Highly recommended.