Magnificent still life paintings by Van Gogh, Renoir, Cezanne, Gauguin, Monet, Manet & others are featured in this major book & exhibition opening at the Phillips Collection in Washington, D.C. in September.
This book is just gorgeous! The essays are interesting and engaging and the plates are beautiful. Besides the most well known impressionists, you will find an Eva Gonzales, and BEST OF ALL--GUSTAVE CAILLBOTTE!! Buy it, you will not be disappointed.
Impressionist Still Life
Published by Thriftbooks.com User , 22 years ago
I was surpised to learn new information that Manet made still lifes with the same-like object used in Chardin's paintings. They were arranged differently or presented in a different manner. There is infomation you cannot obtain when visiting exhibits or museums. It is hard to put the book down once you start reading. This is the first still life book on impressionism I have ever seen. And, it gives more information on still life in general. I am a professional artist and have felt still lives were boring and couldn't really get into them. Because this book excited me to look at still lives and do them, it deserves and 5-star rating.
More than 80 masterworks of still-life painting
Published by Thriftbooks.com User , 23 years ago
Impressionist Still Life showcases more than 80 masterworks of still-life painting by seventeen Impressionists working in the latter half of the nineteenth-century. The featured artists include Cezanne, van Gogh, Monet, Cassatt, Degas, Manet, Renoir, Pissarro, Caillbotte, and Gauguin. Impressionist Still Life is the companion book to a traveling exhibition currently touring the United States beginning with The Philips Collection, Washington, DC (September 22, 2001 - January 13, 2002) and then traveling to The Museum of Fine Arts, Boston (February 17 to June 9, 2002). A strongly recommended addition to academic, personal, and community library artbook collections, the superbly reproduced paintings comprising Impressionist Still Life are enhanced with informative essays by noted art scholars Eliza Rathbone (Phillips Collection); George Shackelford (Museum of Fine Arts, Boston); Jeannene M. Pryblyski (independent art historian and critics based in San Francisco); John McCoubrey (University of Pennsylvania); and Richard Shiff (University of Texas, Austin).
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