Ilium

I hate to agree with everyone else who has commented on this book, but Dan Simmons has done it again. While I have not been a fan of Dan Simmons recent mystery novels (especially Darwin's Blade), Ilium is science fiction at its best. In many ways Ilium is similar to Simmon's previous science fiction saga, Hyperion. Simmons again has interwoven his story with literary classics as he did in the Hyperion saga. Also, as with Hyperion, Simmons tells separate tales that converge together in an epic setting. Ilium, much like Hyperion, in no way offers any conclusion, leaving the reader starving for the next book. Some of the themes in the books seem very similar.While some people might think that the similarity between the books could detract from the enjoyment of reading Ilium. Only in the same way that drinking a fine Cabernet one night spoils drinking an equally fine Cabernet the next. Because Ilium ends without any conclusion, I would recomend readers new to Dan Simmons to read Hyperion, Fall of Hyperion, Endymion, and Rise of Endymion first. After reading those, wait until Olympus has been released to read Ilium and Olympus at the same time. That will give you time to get refreshed between reading the Hyperion series and the Ilium series.

Dan Simmons is the most consciously literary of science fiction writers. He not only borrows ideas for stories; he uses the forms of the great stories of western civilization and even quotes from them in the story. If there really are memes, anyone reading "The Hyperion Cantos" risked infection with John Keats' poetry and John Bunyan's "Pilgrim's Progress." With "Ilium," the infectious risk is Homer's "Iliad" and "Odyssey;" Shakespeare's sonnets and "The Tempest;" and - gulp - Marcel Proust's "Remembrance of Things Lost." Yowza."Ilium" is three seemingly unrelated stories from the 40th Century, stories from three different possibilities of what man might become. There are the Moravecs, inhabiting Jupiter's and Saturn's moons, man-machine hybrids, with a lingering taste for the works of Shakespeare and Proust. There are the Eloi - an appreciative nod to H. G Wells here - who turn out to be all too horrifyingly Eloi, a "post-literate" and possibly degenerate normal human race. And there are the gods of Olympus - Mons Olympus - who may be post-humans, engaged in a bloody re-enactment of the Trojan War. We see the story through the eyes of Moravecs, a few of the humans and one of Scholi, the observers of the gods, re-constructed college classics professors, sent to report to the gods on the re-enacted Trojan War. And we watch as the Scholi - one in particular - are dragged from their roles as observers to participants, and as the three stories merge into one. It's a superb piece of plotting and narration. There are resonances from "The Hyperion Cantos," but they do not distract. There are no emotional bombshells equivalent to F. Paul Dure's experience - for my money, nothing in science fiction touches the story of F. Paul Dure - but there are stunning surprises. You *will* cheer Achilles' final line.The final message, or one of the final messages, may be a little grating: that even as late as the 40th century it is and will be a case of kill or be killed, eat or be eaten. But you can't fault the story-telling. Simmons is in line for another Hugo nomination. This is the first book of a projected two book series (note to those new to Simmons: the four-book Hyperion cantos was also projected to be two books). A lot of the mysteries are left unanswered at the end of this book. We'll have to hope the second book resolves them. I can't wait.Highly recommended.

like many fans of Dan Simmons, my great anticipation for this novel largely derived from the fact that it marks his return to science-fiction. and after a handful of long, delicious reading sessions, i'm not disappointed.Simmons has yet again created a future full of wicked technology, new worlds, and a host of mysteries that compel you to keep reading until the final page. i was a bit anxious about the concept of mixing the events of the Iliad in a space-opera, however Simmons pulls it off well - similar to Guy Gavriel Kay's caveat with Arthurian legend in his first series.of course, any present and/or future forays that Simmons makes into science fiction risk comparison with his all-too-worthy Hyperion cantos. under this lense, Ilium matches Hyperion pound for pound with one exception: the characters in the former just don't stand out as much as they did in the latter. it has been years since i read Hyperion, and yet i still think often of Kassad, Silenus, Lamia, Weintraub, the Shrike, and others.then again, the more i mull over Ilium, the more i think such comparisons aren't entirely fair. the framework for this novel is quite different, and Simmons is obviously a different writer now than he was then. the book feels less intimate than Hyperion, while at the same time it achieves an epic mood that the latter only flirted with. indeed, this book succeeds as a science fiction mish-mash of Iliad, Odyssey, and Simmons own dose of heady story telling, attaining an almost mythical quality that picks you up and carries you away.all these words, and really what i want to say is this: read this book!

I'm not a big fan of the science-fiction/fantasy genres. What I am a fan of, actually, is Dan Simmons. He is the only author who can constantly hop genres all the while remaining fresh and appealing to all of his fans.Following his great epic Hyperion/Endymon, Simmons comes back with another mind blowing science-fiction saga. Ilium is as good if not better than its predecessor, and it is bound to become a classic of the genre, because Ilium is like nothing you've read before. Simmons has done the impossible by creaing something completely fresh, new and highly interesting. The book is separated in three major stories that are all loosely linked to one another. The first story is set on earth, where the post-humans are about to discover that there is much more to life than their uncomplicated, empty existence. When three of these post-humans go on a trek to investigate their originators, they will uncover a dark sercret that will threaten everything they thought they knew.The second story concentrates on a group of robot-like Shakespeare-quoting things who are going on a mission to Mars to try and understand why the planet has terraformed itself. But when their mission goes wrong, they will soon be left stranded on this strange planet.And finally, the final story (and most interesting one) is about a scholi (a professor who goes back in history to observe) who is serving as a witness to the greatest battle of all time, the one depicted in Homer's The Iliad. But the scholi will soon realize that one little shift in events can render the whole future uncertain.And this is probably the heart of Simmons's incredible novel. Beautifully written, this book is all about the power of transformation in time, in space and on a personal level. Simmons recreates history and invents a future in a way that no other author has dared to do before. He goes back to the literary classics to create a futuristic world that is highly influenced by the literary world of the past. The whole novel finishes on a climactic level that will hopefully be concluded in the next installment, Olympus. But as it now stands, Ilium is a great read. Although the book is big, I gobbled it up in just a few days. I just couldn't put it down. I can't begin to express how original this book is. It's refreshing to see that imgination isn't fully lost in today's world of mediocre publishing. Truly original literature is hard to come by, so grab this one up and be ready to partake in an experience you won't soon forget.