Hunting Midnight

Richard Zimler's second novel, Hunting Midnight, casts as its central character a descendant of the title character in his first novel, The Last Kabbalist of Lisbon. The new work is set in Porto, Portugal, in the early 19th century, 300 years after the first novel. Because it contains a wide range of ingredients - a South African Bushman, a Scottish winegrower in Portugal, South Carolina slaves, child abuse, characters' artistic pursuits, Beethoven, reverence for nature - it is perhaps more universal in its appeal than the first book. But it also has its Jewish (and Kulanu) components, such as the narrator's discovery that he is descended from Jews, and the occurrence of an anti-Jewish pogrom in Porto. The author writes skillfully as the voice of the young Scottish-Portuguese half-Jew as well as that of a slave girl in the American South. He also imparts a seemingly deep knowledge of Bushman belief and culture, in addition to snatches of Portuguese and Hebrew, and departures into Jewish philosophy and Scottish song and literature. The story-telling style is tight, with straightforward prose that builds up tension and suspense effectively. These disparate elements might seem a bit too much, but it all works well together, and Hunting Midnight is a great read of almost-epic proportions. While The Last Kabbalist was also a mesmerizing, suspenseful experience, it was more parochial. The first novel was a best-seller in Portugal and did well internationally. The second novel, being truly universal, may well do even better.

Zimler's book is a triumph of modern fiction: an absolutely gripping narrative of love and loss set against a backdrop of fantastic historic drama. Zimler rises to the incredible quality of his bestselling The Last Kabbalist of Lisbon. The characters are rich and fully realized, and their conflicts are vital and real. They grow throughout the book, so that by the end you feel a real intimacy with them. The period setting is elegantly realized; you feel as though you are living in these far-away times, going to the bird market, observing the early forms of racism, encountering the ravages of the Inquisition. This is a story of family too, and the close bonds of the central characters are extremely vivid. I loved this book. Read it at once.

In 1800 Porto, Portugal, the memories of the Spanish Inquisition linger as Jews hide their faith to avoid a repeat of their previous fate. In this environs nine-year-old John Zarco Stewart becomes a friend with slightly older street person Daniel. John soon learns that his family is Jewish, which is why they are shunned by much of the townsfolk and fail to practice in their home. Violeta joins the two boys, but the guys one day find marks on her body as if somone battered her. She insists she fell, but her two pals think her odious uncle assaulted her.When Daniel drowns and Violeta's family removes her from Porto, John feels bored and guilty because he thinks he caused misfortune for his two only pals until his papa brings home a new companion, African Bushman Midnight, who turns into a friend and mentor. As John becomes an adult, he marries, but a secret from the past propels him to journey to America where he starts a new adventure with a black woman.HUNTING MIDNIGHT is a biographical fiction that consists of two stories. The first part of the book centers on the coming of age of the narrator. This segment is insightful as it provides depth to life on the Iberian peninsular during the Napoleonic Era, but also moves forward slowly as the misadventures seem somewhat trivial. The latter half of the book focuses on adventures of John the adult in the Americas. This is quite exciting as John adapts to a strange new world. Richard Zimmler returns his audience to Portugal three centuries after his delightful THE LAST KABBALIST OF LISBON with a strong historical tale.Harriet Klausner

As an avid reader who has been ritually disappointed by the so-called "literary" sensations of the past year, it is a true joy to find a book with a heart and soul, written by an author at the top of his game.This mesmerizing, beautifully written tale of the friendship between a freed African slave and a bereaved child will make you weep on every page, such is the realism of emotion Zimler packs into each page. He is distinctly not an author given to mawkish sentimentality. This is the unputdownable book of the year that thoroughly deserves a wider audience. It is, as the flap copy suggests, an out-and-out masterpiece.