A lyric leap forward from Harry Bauld's playful and passionate debut, The Uncorrected Eye, How to Paint a Dead Man peers so intensely at art that the verse becomes somehow both hallucinatory and colloquial at the same time. The new collection leaves aside the formal dance of some of the earlier work but extends the vivid and often comic explorations of art and the American vernacular. With no-look pathos and sudden jazzy riffs, many of these poems...
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Poetry