Hollywood's Maddest Doctors: Lionel Atwill, Colin Clive and George Zucco

I own this book, and it's one of my all time favourites. I have always loved the CLASSIC horror films and their actors. Imagine my happiness when I received a copy for Christmas, and found it to be about my three favourite character men: Lionel Atwill, Colin Clive and George Zucco! All three were gifted stage actors with many years of "rep" training under their belts. Atwill was elegant, eccentric and a little bit creepy. Zucco was a courtly British gentleman who loved California so much that he became a citizen. He made many appearances. Large roles in small films, small parts in large films, and "starring" roles in stinkers. All these were done with a grace and dignity that made even the "stinkers" enjoyable. Clive had the potential to be one of the brightest of the younger generation. Had he lived, and gotten his act together, he might have been the equal of Gielgud or Guinness. Instead, he died at the age of 37...his talent destroyed by a hellish lack of confidence and drowned by alcohol. Mr. Mank gives all these men their "propers", and the book is a delightful read. He has talked with people who knew and worked with them, and was fortunate to get wonderful insight from George Zucco's widow, Stella. Again...a Wonderful Book! Thank you, Mr. Mank "Full Marks"

An excellent biography of Lionel Atwill, George Zucco and Colin Clive. A mini-biorpgraphy of each in this one volume. A wonderful overview of their lives, warts and all. I highly recommend this book to fans of old black and white horror movies.

How different could 3 actors be? Lionel Atwill,a highly respected stage actor that made a specialty out of playing off-beat mad doctor roles and whom his friends called 'Pinky'. Colin Clive, another star of the stage who detested his horror movie roles and drank himself to death. George Zucco, an actor that worked on stage with Colin Clive, made a living acting in everything from Grade 'A' feature films to poverty row Grade 'Z' pictures. I knew something of the lives of Atwill and Clive, but the bio of Zucco was especially interesting. While Atwill was the host of 'adult' parties in his home, and Clive spiralled into an early alcohol-induced death, Zucco comes across as a gentleman. This book was most interesting, and not only taught me the differences in the three men, but also the one thing they had in common. All three were fine actors with backgrounds on the stage who(especially for Atwill and Zucco) always strived to give a good performance, no matter what the picture they were involved with.

I just finished reading Gregory William Mank's "Hollywood's Maddest Doctors," and I must hand it to Mr. Mank. He has done a fine job.The three subjects of the volume-Lionel Atwill, Colin Clive, and George Zucco-were extraordinary stage-trained actors who became legendary players in the great Universal Studios' horror classics of the 1930's and early 1940's. Even more interesting is the fact that each man was far more interesting in real life than he was in the roles he played on stage and screen. Each in his own way was a tortured soul.Atwill, the great matinee idol of the British and American stages of the 1920's, was a powerful character actor whose lead roles in such classics as "Dr. X" and "The Mystery of the Wax Museum" elevated him to the same pedestal as Karloff and Lugosi in the horror genre. However, in real life he was a self-destructive free spirit whose sexual escapades led to his downfall. Bitter in his last years, he died an outcast in an industry that was appalled at his unabashed sexual proclivities. Colin Clive, whose masterful portrayal of Dr. Frankenstein ranks as one of the best pieces of acting in any genre, was a tormented soul who lacked self-confidence and took refuge in the bottle. He would die tragically at the age of 37 from kidney and liver failure, his talent only partially tapped.Finally, there is the gentlemanly George Zucco who could play virtually any role with equal skill and grace, but who nevertheless was stereotyped in "mad doctor" roles to his everlasting chagrin. Zucco would die unfulfilled, wondering to the last how his career might have been different if only he had gotten more diverse dramatic and comedy roles. Mank does a super job in bringing out the irony in each man's career-we remember them best for the mad, often tragic characters they portrayed on film. Yet it was in real life that these men played out their most genuinely tragic roles. I highly recommend Mr. Mank's book to all true fans of these three unsing heroes of early horror films. Each was very talented and very troubled. To his credit, Mank does an excellent job in illuminating both the professional and personal components of their lives. A fine job.