Hell at the Breech

This book had been sitting on my bookshelf for over a year since the New York Times had placed it on their year end best of literature list.Finally getting around to reading it, it completely blew me away.Set in rural Alabama in 1897,an aspiring politician is murdered,and his friends form a secret group, Hell at the Breech,to exact revenge on the townpeople they feel were behind it. It's rough, very violent,and deftly captures the feel and time of a place so specifically you can almost feel the cold and smell the woodsap. A brilliant meditation on the evil and good that lies in every mans heart. Highly recommended.

for good measureWhoa, this is a good one. Two young brothers in 1897 go off to rob a guy in order to get enough money to pay for the services of a local whore. A revolver is accidentally fired, the man being robbed dies - and he turns out to be a local merchant and politician. The boys flee and swear each other to silence.Here's where the situation really turns sticky, the story being based on a tale Tom Franklin, the author, heard while growing up in Dickinson, Alabama, a one-horse town where he grew up amid faith-healings and exorcisms. The dead man's cousin, Tooch Bedsole, accused men from a neighboring town of the `murder,' and rounds up a posse (lynch mob would be a word that might occur to some) to seek revenge. The descriptions of the violence, the repercussions of what started as a stupid caper, are horrific and graphically portrayed - this is not a book to read aloud in the drawing room of your great aunt! But don't despair and think it's all just gratuitous sensationalism: there's a beautiful surprise twist at the end.

Like many of the reviewers here, I was very impressed with Franklin's story collection Poachers, and especially the novella by the same name which dominated that award-winning collection. Franklin's lean style, and his obvious familiarity with the rural Alabama landscapes he portrays, remind me a little of William Gay's equally-fascinating depictions of rural Tennessee. When I saw that Franklin had a novel coming out based upon a real-life conflict set during late 19th-century Alabama, I couldn't wait to get my hands on it. Hell at the Breech did not disappoint.The novel takes its time setting the scene, and giving the reader a true sense of Mitcham's Beat, a tiny slice of rural Alabama where poor farmers have too much work to do to stop and grieve over something like a dead spouse. Two teenage brothers, Mack and William Burke, sneak out for a night on the town and during a botched robbery, a man is accidentally killed. The victim, Arch Bedsole, is a shop-owner and local politician, and his murder prompts Arch's cousin Tooch Bedsole to form a gang, with blood oaths, who would set matters right in this neck of the woods. We find out pretty early that the gang, calling themselves "Hell at the Breech", take their group quite seriously. You are either with them or against them, and you don't want to be against them. For obvious reasons, they don't handle rejection well since anyone approached about joining then knows their identity.Over the course of the novel Franklin skillfully blurs the distinction between good and evil, creating some ambiguity in the reader as the violence escalates. William joins Tooch's group right away, while Mack, who is considered too young, keeps a low profile while working in Tooch's store, torn between his natural curiosity and his fear at learning too much. Lev James, one of the more ruthless of the gang, suffers tragedy at home and at the same time it appears he is about to lose his farm to foreclosure, although he claims to have made the required payment to the ruthless lender who is not about to cut him any breaks. Tooch himself, who starts out hell-bent for revenge for his cousin's unsolved murder, may have some complicity in his death, the cover-up, and may have bent the rules to take over the store. Even the widow, a mid-wife who raised Mack and William Burke, knows a lot more about the goings on at Mitcham's Beat then we are first led to believe. The self-righteos townfolk who comprise the "posse" demonstrate as much bloodlust as the gang they are after. Nothing is ever as black and white as we initially think.Over the course of the novel, the tension escalates and a monumental conflict looms ahead. I loved the "gun for hire" character of Ardy Fox, whose brutal method for dealing with the lawless gang, under apparent authority from a local judge, reminded me of the ruthless game warden from Poachers. Sheriff Billy Waite is another character very skillfully drawn by Franklin, a fundamentally fair m

In his highly praised short story collection, POACHERS, Alabama native Tom Franklin mined a neglected topic --- the modern South --- for narrative gold. He created vivid, visceral stories of present-day losers and rabble-rousers, and presented them as both regular frustrated humans and red-dirt legends.Although his follow-up novel, HELL AT THE BREECH, is set more than 100 years in the past, Franklin's sensibility for gritty Southern realism remains in tact and in fact has become one of his defining traits as a regional author. Much like its predecessor, HELL AT THE BREECH refuses to romanticize the South, its inhabitants, or the violence they perpetrate, yet Franklin holds up his male characters as examples and exemplars of various strains of Southern masculinity, examining the morality of bloodshed in all its muscular complexity.So many things work so well in this novel about a real-life gang war in rural Alabama that it's difficult to know which to praise first or foremost. Franklin's grasp of history is strong and confident; he ably recreates not just the language and the customs of turn-of-the-century Alabama, but also its lost landscape, a terrain that seems foreign at the turn of this century: "The woods were high all around, so green it felt almost cloudy, thrashers noisy in the bracken and sparrows flitting overhead, the ground slashed like paintbrush work with the shadow of pine needles."Evoked in patient, sculpted sentences, the rough, unforgiving woods --- especially the impenetrable Bear Thicket that separates the city of Oak Grove from the uncivilized agrarian community of Mitcham Beat --- lend the story a sense of menace and mystery, and suggest an ever-changing world that seems impossibly vast. Introducing one of his main characters, a teenager named Mack Burke, Franklin writes that "the earth redefined itself around him, same as it had the day before and the day before that and as far back as his memory went, as if this dawn were no different than any other."That dawn, however, is different for Mack: it's the first sunlight he sees after becoming a murderer, having accidentally shot a store owner named Arch Bedsole during a botched robbery. Arch was a prominent storeowner in Mitcham Beat, and his murder is locally assumed to be the work of city people trying to exert political power over the poor country farmers. In reaction, a group of Mitcham Beat farmers organize a gang called Hell-at-the-Breech to overthrow the city businessmen who hold liens on every crop in the area. Leading Hell-at-the-Breech is Quincy "Tooch" Bedsole, Arch's cousin and a deeply devious man who takes over Arch's store and indentures Mack to work as a stock boy.As the Hell-at-the-Breech gang lash out at the farmers who won't join up and the city people who oppose them, Sheriff Billy Waite --- pushing 70 and nearing retirement --- tries to investigate, but finds only farmers too scared or too angry to take the law's side. Because he doesn't take immediate act