A critical reassessment of the life's work of a major American poet. With his suicide in 1932, Hart Crane left behind a small body of work--White Buildings (1926) and The Bridge (1930). Yet, Crane's poetry was championed and debated publicly by many of the most eminent literary and cultural critics of his day, among them Van Wyck Brooks, Kenneth Burke, Robert Graves, Allen Tate, and Edmund Wilson. The Bridge appears in its entirety...