Glass Slipper, Gold Sandal: A Worldwide Cinderella: A Worldwide Cinderella

This book has great artwork and it's neat to read through it and see cultural differences and similarities. I think I'm more interested in it than my 3 year old, but it's a great way to explore different cultures by a classic story of Cinderella that we all know and love

I loved it! The author and illustrator were able to blend the world's stories into a coherent whole. It is beautiful and it reminds us that we are all connected, even in our tales. I almost wanted to ask you to enter it in your listing of adult books along with the many children's books that appeal to adults.

One of my graduate school instructors recommended this book to my classmates and I as future educators. I thought that it was a beautiful book, wonderfully illustrated, and contains a positive message about global mentality and unity. While the story remains similar to the popular Disney version, it is an excellent tool to show children how such a story can be represented in all parts of the world. I loved it, and definitely look forward to reading it to my students and own children some day.

Fleischman, Paul. Glass Slipper, Gold Sandal: A Worldwide Cinderella. Illustrated by Julie Paschkis. Henry Holt and Company. 2007. This is a unique and lovely presentation of the Cinderella story that incorporates distinct elements from many different cultures into one cohesive version. The mean stepmother is first a nice widow who gives the Cinderella character various treats like "pan dulce and sugarcane. The beautiful double spread that accompanies this plot element is full of yellow folk art figures that are presented on a bright orange background and in the left corner, is the name of the culture that is represented, in this case Mexico. The daughter who is never named encourages her father to marry this nice woman but later she recalls her action and says, " I picked up the scorpion with my own hand", this insightful comment is part of the Iraqi Cinderella story. In a series of three panels, the story connects how a Russian cow gives the girl some honey, an Iranian fairy gives "her figs and apricots", and an Indian "Godfather Snake" gives her rice. The distinctive gouache illustrations blend harmoniously, often a richly colored inset stands out from a muted background that is filled with cultural symbols. The inside cover pages display landmass outlines with the locations of the countries that are represented, and an author's note not only mentions that the first Cinderella story likely appeared in "ninth-century China but also acknowledges his use of Judy Sierra's book, Cinderella (Oryx Press, 1992)." All libraries will want a copy of this innovative version of a universal tale. Recommended for ages 8 and up.