Getting Opera: A Guide for the Cultured But Confused

I am in my 20s and I just discovered the wonderful world of opera--and this is probably why I appreciate Dobkin's book so much. I love Dobkin's style of writing and the layout of the book--it was obviously aimed not only to the "confused" but also to the younger followers of opera. More importantly, it was an easy read; the book is perfect for those who want to learn just enough about the opera to enjoy and appreciate the performances without going through all the technical babble that most books of this genre are guilty of.Dobkin not only covers whose who in the world of opera but also has a section where he lays out the synopsis of the more famous opera (I also like the fact that he tells people what to expect in terms of dress code and what to bring, etc--especially since an opera is not just a form of art but a social event where people-watching is just one of its assets). But be forewarned that this book is mostly based on Dobkin's opinion--therefore you might agree with him, or you might not. But the more important thing is that he has successfully managed to write a book that most gen-x-ers can relate to in a form of art that most people think is reserved for older individuals.

I really recommend this book because it's not only informative (with clever synopses of the author's 50 favorite operas) but fun to read. I am dating someone who is really into opera and it was the prefect thing for me -- a quick and witty introduction to opera that's not too dull or academic. Now I actually enjoy spending an evening at the Met.

As a veteran operagoer of twenty-five years, I found Mr. Dobkin's book a delightful introduction to the subject, though obviously aimed at Generation X. Of course the book is opinionated, but that's part of the fun of opera. While I didn't agree with his assessment of Catherine Malfitano (a true Kunstdiva!), I found most of his other assessments insightful and amusing. For someone new to the opera world, his various lists of singers would be invaluable. The section of the book dealing with the dos and don'ts of attending opera was definitely accurate. I can't remember any other writer discussing the problem of occasionally nodding off during a performance or the need for breath mints. I only hope he writes another book on the subject, aimed at the more advanced operagoer.

Contemporary insight into an age-old genre. Witty and entertaining! Read this book and then go see a show... you'll see what I mean.

Finally a book that makes opera accessible! Dobkin breaks new ground by using a young, hip voice to engage and intrigue readers without a touch of condescension. His language and humor make this an easy read - I actually walked away with an understanding of the art form. Wish I could go to the opera with him!