"The painting partisan"--this is the term Cornelius Tittel recently used to describe Georg Baselitz in a review (November 3, 2021) in Die Welt in connection with the major retrospective that has just opened at the Centre Pompidou. For Heiner M?ller in a conversation (1991) with Alexander Kluge, "the partisan, in a modern, a technocratically defined structure, was like a dog on the highway." And it is within this outsider status that Tittel sees the...