The Galdrabók

What many of the reviewers don't seem to realize is that this book is a translation and study of an old Icelandic grimoire manuscript. Dr. Flowers didn't write the grimoire. He translated it and added an excellent historical commentary as well as giving excerpts from other appropriate works for comparison. Of course, this work is primarily of interest to actual practitioners of the occult arts (for whom it is a treasure trove of useful material) but it is equally useful and fascinating for anthropologists, historians, and social psychologists with an interest in the psyche of the Germanic people and those influenced by them in the middle ages. Excellent work.

As Isenwulf has stated about the book... Flowers did not simply reach into his heiney and remove the text. It does however contain text from a number of differing MSS. Much of it is to be found in AM 434a which is in the possession of the A. Magnusson Institute along with the other texts that he used (with one or two in private possession). It is a well done and researched translation of the texts presented. My only qualm was that it did not go into too much depth with regard to certain mythological contexts for some of the materials. But then again Dr. Flowers can run philological circles around most of us so even this mild complaint bears no ill will towards his work.

To the Readers or Potential Buyers of the Galdrabok:Consider this post a rebuttle to the extremely uneducated statements of the reviewer below. The Galdrabok is merely a translation of an authentic medeival Icelandic text, and I can pretty much bet a million dollars that Dr. Stephen E. Flowers did NOT invent this text out of whole cloth (and if anyone wants to place this wager please email me so I can quit my job and invest in the stock market while it is still low). Because he has a PHD in Germanic Studies he has thousands of untranslated documents at his fingertips, the Galdrabok only being one of them. While he is a "mamber"(this mispelling alone should be enough to discredit the reviewer below) of the Temple of Set, he is most definitely dedicated to the Asatru Religion. In any sort of spirituality is always best to ask "what, when, where, and why" before jumping to conclusions....there is no need to invent "demons" out of whole cloth where they are not even found. Those who do jump to such conclusions without any sort of inquiry has a questionable level of enlightment/intellegence at best, or at worst has some sort of agenda/vendetta(usually as a way to put a lock on their own skeletons in the closet). Some might ask "Why did Stephen E. Flowers join the Temple of Set?" Well, he has given me and others a clear and concise answer to why he has done this.....he merely wanted to set aside an Order that is willing to study the darker aspects of Teutonic Religion....it was not an effort to "graft" any sort of foreign teachings into the Teutonic Magical practices....this notion is generally considered silly and uneducated by those who know better, and such accusations are usually rote-borrowings from the statements of neopagan "authorities" of questionable credentials as well as spawning from the obvious jealousy of unaccomplished people. If you want a translation of a historical document then buy this book.....if you want the usual new-age drivel I suggest looking elsewhere.Reyn til Runa,Isenwulf

As a historical document, the Galdrabok is Stephen Flowers' account of an incredible survival of a Pagan era. It illuminates the Icelandic citizen's mindset in an era where mainland Europeans were being put to the sword for their beliefs in the Runes and the Old Ways.The naivete of some of the Galdrabok's spells (galdr) combining elements of Christian prayer and Pagan magic strikes one as charming. Here was a country where galdrmenn (sorcerers) mixed and matched the Traditions with childlike ease; almost like play for some of them, by all appearances.Customs of Icelandic magic are described: laws regarding kotruvers, gambling magic, for example, and birthing and healing magic ... and magic to expose thieves in their midst. These people were pragmatic in their use of magic, and they were a keenly inventive people, not afraid of experimenting.As long as it worked, it was used. If a spell didn't worked, they would recut the runes until something worked. And they wanted spells to pull a cow out of a bog or help a pig deliver a healthy litter, not this New Age channeling nonsense so prevalent in the modern world.For the serious Northern Tradition student, this book may need to be combined with other books, e.g. Northern Mysteries and Magick by Freya Aswynn, to ground one in the magical theory.If you are interested in the book only for its historical value, as an anthropological treatise, it is an insightful look at the ancient Icelander's mindset, and is valuable in that respect.Some people (mostly Northern Tradition purists actively into magic) might say that the Galdrabok demonstrates the problem of mixing Christian and Pagan cultures. In the modern day, I'd say it was a document showing the wonders of multiculturalism in a most xenophobic era, and a goad for new practitioners of any sort of magic not to be afraid of playing with the format.If you are into serious and practical magic, this book can be your primer into a long - dormant art: the Art of spellcrafting. It shows you how the Icelanders used magic for practical ends, and they weren't afraid to experiment. If it worked, they didn't care if it was Christian and spoken in Latin. It worked, and that was that.In summary, it is a practical book of a potentially still - living magic, an anthropological insight into a way of life now long vanished, and a stepping stone to neomagicians in the magic - starved Third Millennium to rediscover something wonderful that's been lost for a long time to the world.

The Galdrabok is split into two parts: a history of ancient (particularly Icelandic) magick and a variety of Icelandic and Teutonic magick spells.Flowers' historical account is interesting even if you do not believe in the existance of magick. This account is particularly interesting if you are researching this topic; I have not seen too many books that go as in-depth as Flowers does. Flowers also includes one or two sets of runes for those interested.For those interested in the applications of the spells, Flowers includes an extensive list (and how to work the spell) for everything from staunching blood (this one actually works) to good luck charms. He informs the reader as to what materials are required, as well as what the characters (called "staves") should look like. Flowers also includes an extensive bibliography for those wanting more information on the subject.As with most books on magick, Flowers suggests that you be careful, but not in a "standard" way. Rather, Flowers tells of one overly-eager magician who hungered for more and more powere - he was destroyed by that which he sought.WARNING: Some of the material in this book is NOT SUITABLE for children.