Gabriel's Gift

The protagonist of Hanif Kureishi's delightful novel is Gabriel, a fifteen-year-old London schoolboy trying to come to terms with a new life, after the equilibrium of his family home has been shattered bt the ousting of his father. Fending for himself, as well as providing emotional support to his confused (and confusing) parents, Gabriel is forced to grow up quickly. The only support he can draw upon is from his remembered twin brother, Archie, and from his own 'gift', which is accompanied by sensations that urge him inti areas of life requiring the utmost courage and faith. A chance visit to seventies rock star Lester Jones crystallizes the turbulent emotions inside Gabriel, and helps him to recognize and engage with his gift. --- from book's back cover

Since the mid-80s when Kureishi started to write I have been a close follower of his fiction work and screenplays. His main characters in his books whether in the Black Album, The Buddha of Suburbia and My Beautiful Laundrette are always at the crossroads. His characters live and mostly survive in a world accentuated by racial and sexual politics and loss and rediscovery of identity. Gabriel's Gift is a milestone in this career, more subtle in humour, more introspective yet lives up to an author's fame as a writer who knows how to use language.Gabriel's relationship with his Dad and his description of people who are lost in the meanders of the post-60s world is touching and powerful. Especially the first chapter of the book should be a standard text in literature and writing classes.

Society is still as dark and deceptive as ever but Gabriel, Kureishi's most recent teenage protagonist, has the gift to dispel its gloom. Gabriel's ill-suited parents have finally separated, he is bored, left to his own devices and well on his way to becoming a drug addict. But, instead of following all the easy paths to becoming a failure, he decides to take his parents' problems into his own hands. Although the story is unrealistically idealistic, it carries with it an unmistakable aura of hope, in the modern shape of fame. Fame is the gift and the fairy that can deliver anybody in style from all the difficulties of twentieth-first-century living. Once more Kureishi injects his characteristic comedy and light-heartedness into a serious subject without too much irreverence and with a little more hope. As a modern fairy-tale, 'Gabriel's Gift' is able to offer a nice dream with just enough kick in the backside to keep it real.