From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity

If you're at all interested in Latin American culture you'll love this book and he's an amazing person. He'll tal kto you forever about the subject and he's highly intelligent.

While Juan Flores is perceptive in his discussion of the Puerto Rican component of Latino culture, and discusses other major critics like Perez Firmat and Stavans, I was frankly surprised not to see any discussion of William Luis's Dance Between Two Cultures: Latino Caribbean Literature Written in the United States, which in my estimation is as important as those written by the critics Flores discusses. The value of Luis's study is that he addresses the same Puerto Rican community mentioned in Flores' book, but Luis also contextualizes this community by considering its relation to the Cuban and Dominican components of Latino culture. Anyone interested in understanding Latino literature and culture should also read Dance Between Two Cultures, which contains perceptive readings of Latino Caribbean literature unavailable in any other study.

The title of Mr. Flores' book might be a little deceiving for those who are not familiar with the subject matter. Mr. Flores uses music as a jumping off point for some very thought provoking themes that pertain (in my opinion) to all Latino's. Juan Flores goes from scholarly themes like colonialism to thoughts on the funeral of Cortijo and the history of the Boogaloo phenomena in New York City. Mr. Flores makes you stop and think, then think again about issues you may have had preconceived notions about. I really enjoyed being challenged intellectually as I read this book.I recently attended a lecture/performance (at the CUNY Graduate Center in New York City) of "From Bomba to Hip-Hop" conducted by Mr. Flores, music historian Rene Lopez and Mike Wallace (who won a Pulitzer Prize for his book, "Gotham.") True to form, it was a very unique, educational and entertaining experience.