From Assassins to West Side Story: The Director's Guide to Musical Theatre

As a bi-continental director (London, New York, and Los Angeles), I was delighted to find that Miller doesn't have an American prejudice in his work -- in fact he highly respects the work non-American directors have done on American classics and that's quite refreshing. His books (this one and "Deconstructing Harold Hill") are the best examples I've seen of serious considerations of important, interesting musical theatre, yet with a sense of fun and joy, and with a devilish penchant for denying conventional wisdom when it doesn't make sense. In fact, he makes cases (in both books) for changing the conventional wisdom on a number of American classics. These terrific books are must-reads for both the theatre professional and the rabid fan as well -- both are inestimable treasures.

I love Sondheim shows and this book covers 7 Sondheim musicals (if you count West Side Story and Gypsy). I've read every book on Sondheim that's out there, but none of them made me understand the shows better than this one. It covers Assassins, Cabaret, Carousel, Company, Godspell, Gypsy, How to Succeed, Into the Woods, Jesus Christ Superstar, Les Miz, Man of La Mancha, Merrily We Roll Along, My Fair Lady, Pippin, Sweeney Todd, and West Side Story. Buy this book if you love musicals.

Scott Miller's book is an informative and entertaining read. For anyone with an interest in musical theatre that goes any deeper than mere acknowledgement Miller's book is a must. For those acting in these shows, those directing these shows, or those who are ATTENDING these shows - your experience can be greatly enhanced by reading this book.

I really enjoyed reading this book. It gave me a lot to think about about some of my favorite musicals. The author shows extreme insight into these musicals and talks about them in a very interesting way. It is a wonderful book.

Scott Miller has shown that he not only truly understands the complexities of musical theater, but he knows how to put his ideas into terms that the rest of us schmucks can use. His book has become my "bible" when I direct. I look to the book to give me new angles for characterization, as well as staging. Miller really seems to cherish the richness of Stephen Sondheim's work and is able to translate his understanding into concrete suggestions for staging Sondheim's work. This is a must read for anyone who ever attempts to direct any kind of musical.