Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism--from structuralism to postmodern criticism--rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic...