Film in the Anthropocene: Philosophy, Ecology, and Cybernetics
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Book Overview
Chapter 1: Introduction Stepping into the Play Frame: Cinema as Mammalian Communication
Chapter 2: Janus's Celluloid and Digital Faces: The Existential Cyborg: Autopoiēsis in Christopher Nolan's Memento
Chapter 3: Documentary Intertext: Robert Gardner's Dead Birds 1964
Chapter 4: Cinema's Historical Incarnations: Travelling the M?bius Strip of Biotime in Cloud Atlas
From Novel to Film
Chapter 5: Documentary Intertext: John Marshall's The Hunters 1957
Chapter 6: Janus Speaks: Multicultural Polyvocality: Trinh Minh-ha's The Fourth Dimension and The Digital Film Event
Chapter 7: Documentary Intertext: Gregory Bateson's and Margaret Mead's Trance and Dance in Bali 1952
Chapter 8: Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar
Chapter 9: Documentary Intertext: J. Stephen Lansing's and Andr? Singer's The Goddess and the Computer
Chapter 10: Conclusion: Toward a Transdisciplinary Critical Theory of Film
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Arts, Music & Photography Performing Arts Philosophy Social Science Social SciencesCustomer Reviews
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