Faults

In late 1993, right before the new year, Toni Dorado is returning home to Los Angeles to face the lover she left abruptly and to reconnect with her family. Her niece and her mother are very excited to have her back, but her sister Sylvia isn't happy at all, and she has her own problems in the form of an abusive husband. Toni struggles to make amends with Pat, her former lover, and the two slowly begin to communicate about where to go from here. As the various women's lives and sometimes volatile relationships collide, so too does the earth as a major earthquake hits the area in January 1994, forcing the women to face some naked truths about each other and about themselves. Even though the earthquake has a deus ex machina feel (where it solves problems so the characters don't have to), "Faults" is quite a remarkable novel for creating a beautiful portrait of a present-day Chicana family to which everyone can relate.

This book is excellent and readers of Ms. De La Pena's previous books will be reunited with some familiar characters. It's also a fascinating read for LA fans and fans of lesbian literature. It's the kind of novel you wish wouldn't end but when it does you know she'll be back with an even greater read next time! I think Terri De La Pena really captures what it's like to be a lesbian and a Mexican-American!

Other reviewers have outlined the plot of this novel adequately, but more needs to be said about the deft characterizations, setting, and style.The five primary characters in Faults have each been given a distinct voice. The novel is structured through short chapters, each in the first-person voice of five very different women. Terri de la Pena has created characteristic idioms, world-views, personalities, and character strenghts and 'faults' for each person. I was fascinated as these characters unfolded; it is a risky and, in Terri's hands, successful narrative technique.Two reviewers complained about the mix of Spanish words and phrases in the narratives, a perspective I would like to counter. My Spanish understanding is based on a couple of semesters 20 years ago, and although I didn't understand the litteral meaning of every Spanish phrase, I found the use of Spanish absolutely authentic to the characters, and actually pretty easy to decode. In fact, there is often a translation of sorts in the context, many are English cognates, and others are common Spanish heard in the US. So don't let it put you off. Even when you don't understand the phrase, the intent and mood is clear. Actually, the use of Spanish adds a great deal to the novel--how much Spanish crops up in a character's thoughts, for instance, provides insight to her personal culture. Also, the presence of Spanish is important to the sense of living as Chicanas in an Anglo macroculture. Bilingualism (and not every Chicano/a speaks Spanish) must be an enormous, perhaps a defining part of the experience. For a non-Spanish speaker of another culture to criticize what is clearly a deeply imbedded cultural characteristic shows a regretable bias, and listening to it would limit one's aesthetic. Finally, I want to say that for Chicanas and others with Spanish-based cultures, the language mix must be quite welcome. (Terri de la Pena is not the only Chicana author writing in this manner, of course.)I appreciate the attention Terri de la Pena pays to environment in her settings--from street and business names to architectural details. Though briefly mentioned, these things add to the authentic ring of the story.One other strength of the structure created by the five woman characters is the way time unfolds as the characters speak. Each short narrative takes place within a given moment or brief period of time; in fact, each section is dated so we have a sense of events defining a period of several weeks. What we know about the past is colored by the POV of the speaker, so the contrasting views give us various "truths" that we must sort out as we perceive the biases of each woman.I have focused on three aspects of Terri de la Pena's writing that contribute to the strength of "Faults." The sum is, of course, much more than the parts. The book is an important addition to lesbian literature which offers a reading experience rich on many levels. I recommend it.

"Faults", (a book that has very few)-- is certainly a wonderful read! I've had the great pleasure of reading De La Pena's earlier books, and throughout each, the author exhibits a delightful writing style and a penchant for giving the reader a marvelous insight into some aspects of the trials, tribulations and ultimate triumphs of some Latino families. In this particular book, you are drawn into the day-to-day relationships between Toni, her family and her close friends, and you are kept interested, long after you have turned the last page. I recommend this book highly, in spite of the use of many Spanish phrases, which might require the use of a Spanish/English dictionary if you don't have at least a rudimentary understanding of the Spanish language.