At the end of the late 1970s, art theorist and critic Rosalind Krauss had written a seminal text entitled Sculpture in the Expanded Field, in an attempt to both locate and analyze vanguard sculptural practices of the time such as the work of Richard Serra, Robert Smithson, Mary Miss, and Donald Judd whose practices crossed outside of the limits of traditional sculpture and entered into the realms of architecture and landscape through the production...