England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond

I started this book thinking I would learn a thing or two about the Sex Pistols, but ended up -- about 700 pages later -- an armchair expert on the cultural history of the 1970s. In other words, Jon Savage is one hell of a writer.

In 1976, I was 14. I remember the excitement of seeing some video footage of the Sex Pistols in 1977. "Rock" was boring, so I got heavily into punk - it was thrilling! This book is by far the BEST I have read about that thrilling experience - being in the USA, I missed the action in London, and this book describes it in depth, bringing all sorts of strands of history together, and THOROUGHLY capturing the era. Jon Savage's writing style makes it a JOY to read. And the in-depth punk discography (with Savage's comments)at the end of the book is something I refer to over and over. If you are interested in READING about punk rock, including its origins and social impact on the U.K., THIS is THE bible! This is IT!

Punk Rock is an oft-misunderstood musical genre, usually seen as one-dimensional, inarticulate, and musically incompetent, made by angry young kids who have no regard for anyone but themselves. This all may be true, but to dismiss it as such is to miss a vital element of rock'n'roll. 'England's Dreaming: Anarchy, Sex Pistols, Punk Rock and Beyond' stands as the best book on its subject, and as one of the finest books on the sociology of music in general. Jon Savage was prescient enough to have kept his teenage journal from those long-ago days of London in the mid-to-late-70s, he is able to present us with a thorough, first-hand account to spice up his in-depth journalism. Throughout this work he quotes from it, giving us impressionistic, colorful glimpses of the time: "30.10.76: I go see my first proper punk group. I know what it's going to be like: I've been waiting for years, and this year most of all: something to match the explosions in my head. The group are called the Clash; everybody I talk to says they're the best.... Within ten seconds I'm transfixed; within thirty, changed forever. 23.11.76...fascism here won't be like in Germany. It'll be English: ratty, mean, pinched, hand in glove with Thatcher as mother sadist over all her whimpering public schoolboys. 25.12.76: A party... in the kitchen downstairs, members of the Damned, the Clash and the Sex Pistols sit around a large table.... Halfway through the evening, the Heartbreakers arrive, and install themselves in a tight corner near the telephone, which Johnny Thunders uses to make hour-long calls to the US. Not collect. 25.12.78: Public Image Ltd, Rainbow Theatre, London. this, as expected, is mainly Rotten's show. Except now there is a new element of whining and self-justification...." Savage goes so much deeper than just his own observations, deeper than any writer on British punk ever has or ever probably will. First he examines the British pop/youth cultural movements after World War 2, like the Mods and the skins and the Teddy Boys, before coming to that little shop at 430 King's Road. We get some myth-destroying insights into the origins of Malcolm McLaren's relationships with the burgeoning Sex Pistols; namely, that it originally was 18-year-old guitarist Steve Jones' band. Savage debunks the notion that the Pistols were--as is the common, popular perception today--the *NSync of their day. McLaren was great at hindsight, saying "Oh, I meant that to happen" when really it was all out of control. Quite a bit of the book deals with the utter contempt and frustration with which Johnny Rotten and later Sid Vicious felt towards this Fagin-esque character. Savage also looks the punk scene in surrounding towns, such as the Buzzcocks in Manchester; the difficulty in getting clubs to book the bands; the sudden liberation (but not quite) young women felt, resulting in "stars" such as Siouxsie Sioux, Poly Styrene, and the Slits; the (sometimes fake, sometimes real) competition between the P

Bondage for the masses, filth, fury, situationist codswallop and testimony from witnesses and victims, villians and a hero or two. It's all 'ere, my son, step inside and let yer old uncle Jon tell yer abaht the times 'e 'ad in the year of 'er majesty's jubilee.This is the real thing - don't kid yourself, you weren't there and neither was I but this is as close as we can hope to come. 430 Kings Road might have well been on Pluto, but you and I are living in a world very much influenced by Malcolm McLaren's little shop of perverts, thieves and dandies.At no place or time since has music, style or attitude mattered as much as it did in London in 1976. Why not is apparent on reading this book's description of the society in which the likes of Rotten, Jones and McLaren created the Sex Pistols.As an examination of the background to the movement, this is exhaustive. As a record of events it is almost perfect. Unfortunately it is also all we are likely to have regarding the real history and motives of the players. Rotten has told his tale, Matlock even chipped in a few pages, Jones and Cook have kept mum and McLaren .... even if he did write a book would we believe it? The truth is probably somewhere between the stories of all five of them and for now, Savage must be the authoritative source.And Sid's there too.

So many photos, so many interviews, its a long book, but also the best book you will ever read. Its open minded, so punk fans can love it, or people who hate those U.K. punks can hate them more. Its not just the Sex Pistols, its the Clash and Ramones in the spotlight also. I laughed to myself while reading some quotes, but you'll be in tears when reading about how Sid Vicious was accused of killing the only person he had, then slowly killed him self. jon Savage had acess to all of the archieves of the Sex Pistols, so its accurate.