Bringing to bear the hymnody of Dickinson's female forbears and contemporaries and the Dissenting ideology found in Isaac Watts's hymns, this study offers a critical intervention in Dickinson's use of the hymn form. Dickinson's use of bee imagery and the re-visioned notions of religious design in her 'alternative hymns' show her engaging with a community of hymn writers in ways that anticipate the ideas of feminist theologians.