Elizabeth and Essex: A Tragic History

this is a lovely book. The author's mastery of the English language is a pleasure to savor. I will keep this book to re-read and I'm sure I will enjoy his way with words and his way with a story again and again. He makes his characters come to life. If you love Elizabethan history, if you love the English language, read this book, you won't be disappointed. I wish I were articulate enough to do justice to his art.

once upon a time it seems there was this fella who thought you could actually write creative and lively non-fiction. his name was lytton strachey and he carried his thought out onto paper. all of his books are wonderfully written non-fiction. why oh why do so few non-fiction writers swing for the fence with their writing? is it editors? i know nothing about the inner-workings of the book business. it just puzzles me why almost all non-fiction writing is so uncreative, so unimaginative. lytton strachey, God bless you man! wherever your soul may be.

Strachey is deeply sympathetic of both Elizabeth and Essex, recognizing their strengths and their tragic shortcomings. Most modern biographies of Elizabeth rake her over the coals for her famously dithering and constipated decision-making process, but Strachey makes a good case for indecision as a political weapon, and cites this quality as part of Elizabeth's genius. The relationship between this hugely complex 70-year old queen and the magnificent but deeply flawed earl is dissected factually and emotionally. An amazing achievement. Jill Masters has a beautiful, silky voice and brings real poignancy to this subtle work.

Elizabeth and Essex is perhaps the finest example of Strachey's incomparable style. More poetic than prosaic, ripe with imagery and atmosphere, Strachey's elegant, vigorous prose is a treat to read. This is all the more unusual given that Strachey is a historian. In most cases, his style doesn't get in the way of the story; his subjects are usually represented accurately and with respect.Unfortunately, he doesn't quite succeed in this case. Strachey's Victorian sensibilities and Freudian view of his subjects often take him on wild flights of fancy that fail the test of Occam's razor. For instance, he asserts that Elizabeth was sexually disorganized based on a smattering of rumours which, he claims, prove that she had a deep-seated fear of sex and perhaps a hysterical block which prevented her from engaging in intercourse. Pretty convoluted reasoning, especially considering the fact that Elizabeth had perfectly sound political reasons to remain single. Strachey's portrait of Essex is likewise suspect. He turns the proud scion of an ancient family into a manic-depressive basket case, but his evidence for this is scanty and his reasoning difficult to follow. Again, is it really likely that Essex plotted to overthrow the government because he saw himself as the true King of England, when a much more simple explanation (he was angry and felt insulted) comes to mind?Yet even through the flights of psychological fancy and the wildly improbable motives, Strachey's portrait continues to enchant. I cannot stress strongly enough how enjoyable and entertaining this book is. Yes, one does have to take Strachey's explanations with a grain of salt, but the journey itself is a lot of fun and should not be missed.I highly recommend this book.

If you are interested in the personal details of the latter half of Queen Elizabeth's life, this is an excellent book to read. Her wars and reconciliations with the headstrong Lord Essex (many years her junior) are covered in just the right level of detail, so that the reader is never gorged on nor starved for insights into what made Gloriana such a remarkable figure. Strachey's first chapter gives a particularly adept placement of the Queen's personality within the court of England and the field of late-16th century Europe. Following chapters contain less politics and more humanity. (The slow, initially frustrated but inevitable rise of Francis Bacon's star is interesting.)