Drawing Degree Zero examines a pivotal moment in the history of drawing, when the medium was disengaged from its connoisseurial associations and positioned at the forefront of contemporary art. From Mel Bochner's seminal exhibition Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art of 1966 to the Museum of Modern Art's major survey Drawing Now ten years later, Anna Lovatt documents...