Drawing Birds

I bought 'Drawing Birds' for my twelve year old son, who has recently shown some interest in art. As they say, the proof of the pudding is in the eating. He produced three quite professional looking drawings within a few hours of looking at the book. This is amazing to me, as I am barely capable of drawing stick figures!

I know that the title I've chosen is quite often a cliche but I do think it's an apt title. Do you want to do good drawings of birds that you've seen, capture some of their liveliness, put onto paper something of the excitement of birds you've seen in nature? Do you want to do it in a way consistent with the best drawings of the past? If you do then I think you'll find this book inspiring. Early on John Busby says: "So be patient; it may take years of patience to discover enough about the ways of birds and the ways of drawing to bring both together with conviction." The vast majority of the drawings in this book do so. Not only that but, at least for me, they exude the pleasure of both drawing and of portraying live nature. Again as the author says in first few pages: "... opened a window into a new passionate reality after the stuffy plates of my earlier books and confirmed my choice to go live." Now "going live" may seem an anachronism to many artists and budding artists. I know it was when I was an art student many years ago. I have no idea as to what might be happening in art schools now but I wouldn't be surprised if "going live" was not considered the proper path for a serious artist. I hope I'm wrong. To appreciate this book though, and to not be quite disappointed in it, you must have some appreciation of the difference between any subject drawn from life and one drawn from photos or some other method. It is a basic principle of the book, stated once or twice early on, but not really dwelled upon. But it is at the heart of why this book is so enjoyable and inspirational. The other very important element is an appreciation for good art. For better or worse there is much wildlife art that may be realistic in some way but seems to have no relationship to great draughtsmen of the past like Rembrandt, Durer, et al. This book, though again it doesn't mention them often, seems to understand that tradition and to choose drawings that in some way exemplify it. So for someone who appreciates both good art and drawing birds from life this book and the drawings in it are exceptional. It might very well make you want to drop whatever you're doing and get out and do some drawings. If you're a birder it will present you with the dilemma of whether you should bring your binoculars or your sketchpad. Actually the author suggests both as well perhaps as a scope. The book is very short, just 135 pages, many of them drawings. But there is enough text to offer some helpful practical advice about drawing birds, the type of advice that can only come from someone who has drawing these flitting creatures for years. It is not an instructional book, and some readers may be unhappy with that. But to quote the author one last time: "It is tempting to think that drawing can be taught methodically to a set of rules. Over the years of teaching at an art college I know that despite my advice and stage-managed exercises, the students have largely taught themselves..

As a very new bird painter/Artist, - I use this in the loosest possible terms after just three months of trying - when I saw the title of this book I was very excited, but then I took a quick flick through and realised just how poor my own work was! After reading the excellent forward by Bill Oddie, I delved into the main text, and soon realised this was going to be much more than just a guide on how to draw birds. It was in fact an in-depth study into bird structure and movement, feather construction, their relationship to their surroundings and much, much more; knowledge one needs to improve one`s chances of capturing a bird`s essence on paper. At no point does John Busby lecture you on how to paint, even though he was an academic; lecturing at Edinburgh Art College. He knows everyone has different styles, and says we should all paint in our own way; a way with which we feel comfortable. This book is, instead, filled with lots of tips on a range of topics such as composition, what features to pick out, and what to ignore and so forth. There is a great deal more besides, but you`ll have to read the book yourself to find out! What is more, the book is packed with paintings, drawings, field sketches and even an odd photo or two as illustrations, from 38 of the world`s premier wildlife artists, and is worth the money for these pictures alone (where else could you find a comprehensive range of images, from the world`s leading artists for under 20 quid). For budding artists this title is invaluable, for art fans it is delightful and for mere birdwatchers this book holds some fascinating insights into the creatures we love to watch. http://www.beolens.co.uk/digiscoping/