Since the early 1960s, Dorothy Iannone (born 1933) has occupied herself with the attempt to represent "ecstatic unity"--"the union of gender, feeling and pleasure," as she describes it--resulting in a body of frequently autobiographical work encompassing painting, drawing, collage, objects and publications. This volume examines the censorship of Iannone's work, using her 1970 artist's book The Story of Bern as a starting point. Iannone's works...