Mozart's piano sonatas and fantasies comprise a body of work so central to the keyboard repertoire that a thorough acquaintance with them is as essential for every serious pianist as it is rewarding for piano students at all levels.
This excellent edition contains all 19 sonatas and 4 fantasies, including works that have been erroneously omitted from most Mozart editions. Ranging in their technical demands from the relatively easy Sonata in C Major, K545 (one of the most popular piano works ever composed), to the profoundly moving Fantasy in D Minor, K397, and the challenging Sonata No. 19 in D Major, K576, these works are imbued with the clarity, grace, variety, and limitless invention that have made them perennial favorites with performers and audiences alike. Reprinted from authoritative editions, including Breitkopf & H rtel's Complete Works, this volume is among the lowest-priced and most thorough editions now available.
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TravelThis is a nice, reasonably priced edition of Mozart's sonatas. It also includes his Fantasies also. My biggest problem is that there are no fingerings present. Yes, the lack of excessive fingerings can sometimes be good, but there are absolutely none given in this edition. There are also some editorial changes, none of which are glaringly severe, but slightly annoying. Mozarts sonatas are a must for any classical pianist...
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The editing in this edition is not perfect; but in some cases there is some useful written-out appogiaturas (the ornaments that are usually indicated by symbols in the music.) If you are not familiar with how an inverted mordant should be played or the conventions of trills, the editing will do you until you listen to enough Mozart recordings of the great pianists and learn the Baroque and Classical conventions of ornamentation...
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Pianists beware: the sonatas/fantasies in this book are reprints of the old Breitkopf & Härtel edition, which is not a very "faithful" or "authentic" printing of Mozart's works. Certain markings, like long phrase slurs and use of the word legato, are very un-Mozartean: they are clearly the work of the editor. Other edits, like appogiaturas written as regular notation, and certain post-trill ornaments, may also cause...
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