Trozas

Trozas is the fourth in the Jungle Series, written by B. Traven around the economic class structure of Mexico during the dictatorship of Porfirio Diaz. The book is short on plot and short on character development, but it gives almost a case study version of the inhumane conditions that peons endured on the debt slavery mahogany plantation. Andre again plays a role, as he did in The Carreta and March to the Monteria. He wishes to return to his common law wife but must toil under unbelieveable conditions to work off his father's debts. Celso also plays a role, as he did in March to the Monteria where he was the primary heroic figure. He is strong, heroic, dignified, and yet caught in the web of jungle, insects, disease, and violence along with all the other Indian men slaveing for the Spaniards. Whereas man's injustice to man is certainly the major theme of this book, the theme of survival under incredible conditions also runs throughout the book. In March to the Monteria, Cleso is a strong young Indian male, working nude in the jungle, hacking down tons of mahogany a day. He tries to escape once his debt is paid and due to his skill, the owners always find a hidden charge and bring him back. In Trozas he tries to maintain his dignity and raise the consciousness of the other men. In The Carreta, Andre is an oxen cart drive with a young common-law wife. InTrozas these skills are put to use as the drags mahoganylogs through muddy swamps to the the river where they can be floated to the lumber mills. He also is trapped. The reason I did not give this book a 5 star rating however is that it really had little plot or character development. It was best described as a study in the economic injustices that allowed much of Mexico's dark Indians to be suppressed and exploited by the white Spainards. Victor Hugo always had a tendency to engage in social studies in his work, but he always returned to the plot. I wish Traven had been more of a novelist and less of an anthropologist.

Yet another good story of hardship and triumph of the human spirit in old Mexico.

I don't think I could add more than the Julian Barham review except to say, I love this book! This is the fourth book of the jungle series. I would recommend that one read the jungle series in order (i.e., Government, Carreta, March to the Monteria, Trozas, Rebellion of the Hanged, General from the Jungle). It is not absolutely necessary to read them in order but some characters show up in the later books (e.g., Don Gabriel from "Goverment" is referred to quite often, and Andres from "the Carreta" is present in the March to the Monteria and Trozas, amongst others). The characters from previous books are not necessarily covered in detail, so having this background of info about them sort of solidifies the story. The path of the characters is intertwined throughout the series. I usually don't assign myself to such reading, like it's some sort of required reading for a class but in my opinion this is some of the most insightful and compelling writing I have ever read. Go Traven!

I trully enjoyed the book, once I picked it up I could not put it down. I never realized the hard work and effort taken to bring us the mahogony. And the life of the indians under the rule of the "Patrones", conquistadores. Slavery was not legal in Mexico, instead a life long debt was incurred to keep the peasants supressed and deprived of their freedom.

Trozas, Spanish for logs, is the fourth of six "Jungle Novels" by B. Traven, about the birth of the Mexican Revolution. The story centers around the exploitation of slave-laborers on a mahogany plantation, known as a monteria. There is little in the way of a conventional plot. Traven assumes the role of anthropologist as he explains the layout of a monteria, its power structure, the brutal methods used to exploit the Mexican Indians, and details of the daily grind they suffer as they cut down the trees, haul them with the aid of oxen through dense humid jungle which is infested with mosquitoes and biting flies, poisonous snakes, scorpions, panthers, and the cutting whips of the overseers. Though Traven's focus is on the corruption of the Diaz regime (1876-1910), the events that brought about his downfall, the social structure which places the illiterate dark-skinned Indians at the mercy of exploitive light-skinned Spaniards, the scheming-as-matter-of-policy among the local officials - from the police chiefs, judges, and tax assessors to the doctors, priests, monteria contractors and fincerias (the powerful landowners)- ultimately the book powerfully illustrates man's inhumanity to man. I was shocked and outraged - as I turned the pages - at the social structure which allowed this injustice to exist. (It is clear if one watches Mexican television programs - with light-skinned European looking men and women holding political office and on the soap operas and news, as well as the vast numbers of dark-skinned Indians migrating north to the U.S. in search of opportunity, that sadly little has changed since the Mexican Revolution). Trozas is also about human dignity in the face overwhelming suffering. Trozas is a grim book in a grim series of books, but an important one that needs to be read, for it enlightens the reader not only about Mexican history and the rise of the Mexican Revolution, but about the politics of evil and one aspect of the human condition. Traven has an easy, flowing style. He creates vivid characters and memorable scenes. He has an excellent ear for dialogue. Long after reading the book one can see and feel and hear the jungle and the pitiless human struggle for existence within it. This is a truly classic series of books which are gaining in popularity, especially on college campuses in Latino and ethnic studies classes. Traven for years languished in semi-obscurity, though he was once nominated for the Nobel Prize in literature. As the wave of class, race, ethnic, and gender studies has grown over the past two decades, Traven is being re-evaluated by critics and readers and is justly gaining in popularity and prestige.